A Quote by Spencer Boldman
When I was ten, I loved movies like 'Cool Hand Luke' and 'Roman Holiday.' When I watched those things, I felt like it was such a good escape. It wasn't even that I needed an escape, but I wanted to be an actor so I could give that feeling to someone else.
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I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Talking won't change it. But sometimes it was what she wanted most, to tell someone; often, though, she just wanted to escape those horrid feelings, to escape herself, so there was no pain, no fear, no ugliness.
I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
Someone asked me if I was a method actor - I loved that! I needed to know what it felt like to lose everything just to do the Bad Day video! I could really feel the angst!
I had made a list of about ten things that I remembered from the original 'Total Recall' before I went back and watched. It had been about twenty years. I wanted to write it out before I watched it again. And I felt if those things stayed with me long enough, those are the things that I wanted to highlight.
I've always loved 'lived-in' sci-fi. We take it for granted now, but it was a revelation in the late '70s - '80s, when movies like 'Alien', 'Escape From New York', and even 'Star Wars' introduced us to the idea that the future could, in fact, look old.
I think escape is sort of like coming to a show with ten thousand other people and responding to that moment. Sharing that moment - that's escape.
I felt like I needed to be a 'pretty girl' for someone else. I felt like I needed to change a lot about who I actually was to be perfect for them instead of just being who I am genuinely.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
When I was in high school, I felt totally alienated from the world, but I loved movies. They were my escape, but coming from a disadvantaged community, I never knew that filmmaking was an option for me. A program like School of Doc would have been a game-changer.
I wanted it in the way you sometimes want to jump into very cold water, even though you know it won't feel good. I wanted to go numb. To see what it felt like to be someone else.
I recognized that I needed to re-train my brain to stop eating like I wanted to punish myself or punish someone else. I needed to re-learn how to eat like I loved myself, and want to nourish and support myself.
That point of life when I learned I could cook, that always made me understand what cooks felt like feeding other people. It's okay to receive, but it's really cool to give, so food is to me sexy because it's the fact that someone is giving it to someone else.
I could feel myself changing physically. It was like something dropped out of the sky. Seeing her on the fire escape had given me a certain feeling, and then when I saw the photograph of her, it gave me a similar feeling. And I thought that was an incredibly powerful thing - that a photograph could give you a feeling that was similar to a feeling you had in the physical world. Nobody could've told me that. I knew what I was going to do for the rest of my life.
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