A Quote by Spencer Dinwiddie

With Kyrie and KD, if you're telling me I get to come out here and pass to two phenomenal scorers and get 10 assists a game and maybe be in second gear a lot of times with my scoring, I'm fine.
If you're not a scoring point guard, people don't think of you as highly. They don't think of you as the type that's going to make an impact in college because you're not trying to score 20 points a game. You're more trying to get 10 assists.
I prefer scoring goals, but when I am playing out on the right, I tend to come inside and provide assists, but I also like playing on the left, and I think if that is where I play, then I will have more chance of scoring - but I just hope I can help the team score goals with my assists.
Look at KD and Kyrie, and they're going to be ball-dominant. You've got to really recognize that and get the ball where it needs to go.
I know how easy it is to get assists. But you can't be a pass-first guy and get assists. You have to attack.
What you want to do with your best players is, it doesn't matter how many goals and assists they get, but when they get goals and assists. The best players get them at the most important times, and that's when we need those guys to come through.
I take pride in trying to get 5-7 assists a game and it's a lot more fun for me to run around and get my guys going.
If the word police want to come and get me, they can come and get me. If someone wants to blog about me, fine. The bloggers can come and get me. I clearly say the n-word in public, eight times. I think that's the count.
It seems like teams want a guy who can get 10, 11, 12 assists. That's the kind of player I want to be. Sometimes that is more important than scoring 30 points a night.
We make a lot of movies that I don't think merit a wide release. We have this label called Tilt, and we have the movies come out on that, and that's fine. But it shocks me when, having done this a few times, when I really believe a movie should get a wide release, and I struggle to get it released. That does surprise me.
You can get the oldest drum machine out and whack out four sounds like a kick, snare, and two types of high-hat, and try and come up with the freshest thing on the spot. The gear can guide you - you can choose one bit of gear and it's obviously got its restrictions and its limitations, but at the same time, you've got to exploit what it's capable of and what it's best used for.
At times I perhaps get a bit frustrated because I maybe don't get to touch the ball as much as I want, but when I do get to touch the ball, it's obviously in good positions and I'm scoring so I can't really argue.
A person who can go out and get 40 is going to get a lot more respect than somebody who goes out and holds somebody to two points. It's just the nature of the game. It doesn't bother me.
A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
My male counterpart will get paid ten times more than me - 10 times. Not double, but 10 times for the same job. We only have this much left for the female actress. I mean, there’s two genders on this Earth. Both are compelling, interesting, diverse, wonderful in all their own separate ways. And yet there’s an influx of male roles and there's just not for women.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
But yeah, a lot of people compare me to Magic. The physical appearance, the tall point guard, the ability to pass the ball. But comparisons are one thing, it's up to me to go out and play my game, get those wins, those championships, that's the only way those comparisons can get closer, but he's a legend.
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