A Quote by Spencer Kayden

I am truly obsessed with Lena Dunham. I find everything about her unique and refreshing. She is a brilliant, hilarious and honest writer who is not afraid to make her audience uncomfortable.
I am literally obsessed with Lena Dunham. She's, like, my favorite person in the world. I follow her on Twitter; I read her every day.
Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.
My overly ambitious dream is to be a Lena Dunham - I get immense pleasure seeing her name repeated over and over in the end credits of her brilliant creation 'Girls.'
In his writings, Patton was shameless about his ambition to woo Lena to be his bride. He detailed the gradual progress he made, playing music for her on his violin, writing her poems, beguiling her with stories, engaging her in conversation. It was clear that he obsessed over her. He knew what he wanted and never relented until she was his.
Think about the number of times someone will say to herself, "I want to get out of this circumstance, but I'm too afraid. I'll lie about how happy I am in this marriage, and I'll put up a front." But she's betraying everything that's in her heart. She's making choices that are harming her, and that's why she's hurting. Her intuition is trying to tell her that.
I was obsessed with Claire Danes because she was Juliet. There is something about her still to this day - she is a brilliant actress. And she did make out with both of my boyfriends.
I couldn't look at her. I'd been jealous and hurt, and I had dragged Liv into the middle of my own broken mess of a life. All because I thought Lena didn't love me anymore. But I was stupid, and I was wrong. Lena loved me so much, she was willing to risk everything to save me. I had given up on Lena, after she had refused to give up on me. I owed her my life. It was as simple as that.
Having casual conversations with the likes of Lena Dunham and Kim Kardashian makes me weak in the knees. I have so much respect and admiration for Lena that it doesn't matter how many times I talk to her - I get starstruck.
Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling.
I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.
I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
I can’t—” Lena repeated. “I can’t do it. I can’t live without him.” Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close around his side. She looked at Lena—really looked at her straight in the eye. “Good,” Sara told her. “Now you know how it feels.
My entire stay there [high school] might have been time lost if it hadn't been for the unique personality of a brilliant teacher. Miss Kirwin was that rare educator who was in love with information. I will always believe that her love of teaching came not so much from her liking for students but from her desire to make sure that some of the things she knew would find repositories so that they could be shared again.
There was something really special about working with Lena Dunham. I immediately felt very comfortable with her, and we spoke the same language.
I think Lena Dunham, the public figure, is - I hate the word 'brand,' but I'm going to use it - it's such a brand that is so tethered to her public persona and to 'Girls', but also this progressive politics that she's been more vocal about.
Gerda Lerner was fierce, brilliant and unique. She lived history by her bravery, restored history by her scholarship, and democratized its study by her activism.
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