A Quote by Spencer Kayden

In my mid-twenties, I said to myself: 'I can't perform anymore!' I didn't know what I wanted to do. I didn't perform for a while, then ended up doing a one-woman show about Gilda Radner having cancer. It was called 'Gilda Defying Gravity,' and I did it on the Lower East Side. It was great; people really came out and supported me.
[Gilda Radner] was in the in vitro fertilization program, and it nearly, nearly drove us apart, too. She wanted that baby, so badly, and it didn't work. Oddly enough, when we were doing "Haunted Honeymoon" in London, she did become pregnant for about 10 days, but then she lost it. But, anyway, my odyssey with Gilda was wonderful, funny, torturous, painful and sad. It was - it went the full gamut.
I loved pretending to be a middle-aged Jewish woman. I just wanted to do what I saw Gilda Radner and Carol Burnett doing. But I'm not a particularly good impressionist. It was never my strong suit.
Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
The first time I went to see a Second City show, I was in awe of everything. I just wanted to touch the same stage that Gilda Radner had walked on. It was sacred ground.
Cancer changes your life, often for the better. You learn what's important, you learn to prioritize, and you learn not to waste your time. You tell people you love them. My friend Gilda Radner used to say, 'If it wasn't for the downside, having cancer would be the best thing and everyone would want it.' That's true. If it wasn't for the downside.
The wonderful thing about Gilda Radner was that she was not a person who disappointed.
I met Gilda Radner, God bless her, when I was in grade 13, which doesn't exist anymore. The high school I went to went from 9 to 13.
Her business manager said, you know, Gilda [Radner] left you that house. That's when I decided to stay and test it out. And after about a month, the roots grew, and I didn't ever want to live anywhere else for the rest of my life - travel, yes, but not to live anywhere else.
I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.
When we spoke, Gene Wilder had just written a memoir called "Kiss Me Like A Stranger." The title was suggested by his late wife Gilda Radner three weeks before she died in 1989.
I remember watching Gilda Radner when I was a kid and everyone thought she was so funny and no one ever said that she was a funny woman, she was just funny.
[Gilda Radner] died in '89, and I got non-Hodgkin's lymphoma in 2000. I've just passed the five-year mark and I'm now what you call - well, it's called complete remission, but I'm cured. I'm fine.
I wanted to be a graphic designer from the time I was 15, without ever having actually met one. I lived in the mid-west, not in a media centre, and I didn't know anyone who did that for a living. It took me a while to find out what that thing I wanted to do was actually called, but once I sorted that out I got really interested in it.
I loved the late Gilda Radner. I love Carol Burnett and Lily Tomlin.
As a young girl, if you do something funny - especially if you're Jewish - someone says, 'Oh, have you seen Gilda Radner?'
I love funny people. I met and became friends with some of the funniest people ever. Gilda Radner, bless her soul; Martin Short; Dave Thomas; Eugene Levy.
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