A Quote by Spencer Matthews
I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.
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It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.
In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.
My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
My first show was called 'I Know I've Been Changed' in '92. I tried to do this show for years and years. It kept failing over and over and over again. Every time I went out to do the show, nobody showed up. I was like, 'What is this about?'
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
'Red vs Blue' as a show has evolved dramatically. It looks an entirely different show to what we started with, but the format of the show has changed so much over the years, too.
Fashion is also a form of art, and like every kind of art, it has its own way of expression. In other words, if a dress looks better on a thin girl, on a catwalk, during a very specific moment of time and space then it's represented as part of a "fashion Show". It is after all a "Show" and it has to be understood by people that it is a "show" and not real life.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
I learn an amazing amount from watching television and movies because if you watch things that really work and don't work, it teaches you so much about what you do for your own craft. I think that if you're auditioning for a show, you need to know the world of the show, or you can't represent it very well.
It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.
I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.
When I start to think about all the things, I'm doing sometimes I just have to thank the man upstairs. Because I'm doing the morning show here in Chicago 5 days a week, and I have the syndicated radio show that's been going on now for several years. In addition we are in the midst of taping 13 episodes of a television show-The Legends of Jazz: The Masters of jazz on PBS-TV.
Photographers want to reinvent you, to take you somewhere else, to show you in a completely different way. They look at your previous work, and try to figure out what they can do to show a new side of you.
That's the great part about television: It's alive, and it changes and evolves with the way the characters evolve. Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show.
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