A Quote by Spike Dykes

Oh, we played about like three tons of buzzard puke this afternoon. — © Spike Dykes
Oh, we played about like three tons of buzzard puke this afternoon.
It is useless not to seek, not to want, for when you cease to seek you start to find, and when you cease to want, then life begins to ram her fish and chips down your gullet until you puke, and then the puke down your gullet until you puke the puke, and then the puked puke until you begin to like it.
With an animated show you can make a banana purple. You can put three hats on a cowboy. That would require several days of stitching, in live-action, that you wouldn't be able to afford. I mean, you can just do tons and tons and tons.
From the age of three, I played every day-morning, afternoon and night.
Since the start of the Ashes I have had a hectic workload. I've played almost every game, but I'm thinking that after South Africa and the Bangladesh series I can clock off for two or three months. It's like Friday afternoon for a guy who goes to work all week.
Oh, there's tons of resentment. That's normal. I can't control that, and I don't worry about it.
The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
Now, we put out a lot of carbon dioxide every year, over 26 billion tons. For each American, it's about 20 tons. For people in poor countries, it's less than one ton. It's an average of about five tons for everyone on the planet. And, somehow, we have to make changes that will bring that down to zero.
I want there to be tons and tons and tons and tons of movies starring women.
To fans in a festival setting it's like a picnic. You want to have a good time with your friends in that crowd. And in the background you hear the band play, 'Oh, that's my favorite song!' everyone is there to enjoy the afternoon and that's about it.
The idea is: You played to 100 people this week in Europe, and then next week you can play to 200. It's an investment in that territory. But it can lose money because it's very expensive to go to Europe. You can't really just say, like, "Oh, we're gonna take our van and drive to California tomorrow." It's more like, "Oh, we have to fly to London and rent three guitar amps, a bass amp, drums; buy all these flights for four people; hire a driver."
I work all day, morning and afternoon, just about every day. If I sit there like that for two or three years, at the end I have a book.
I wasn't personally that familiar with the Classic Rock bands. That is where Jorn Viggo came in: he played me tons of that stuff - Deep Purple, Led Zeppelin, plus a lot of bands with cool songs, riffs, vocals, etc. We really listened to tons of music.
I worked at this great Toronto bar, Indian Motorcycle. I started off as the grunt. I was the guy who cleaned up the puke and the ashtrays and the garbage. Worked in front from four in the afternoon until four in the morning.
I've been making the recordings for a long time, and I have tons and tons of them. I'm like a digital hoarder or something - everything is on like hard drives and whatever.
I played the bars in northern California since I was 18. We played at least three hours, and there's no which-way about it: That definitely helped.
Real entrepreneurs do what they say they're going to do, wannabes ask about it and have tons and tons of coffee meetings.
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