A Quote by Spike Jonze
I feel like every movie, I've learned more and more about what I think of the world and what I'm trying to figure out.
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As an actor, doing it for 30 years, with every movie, you're trying to figure out a way to make it more naturalistic and more organic to humanity. When you have lines like, "Never let the monster out," it's hard.
I've learned how to deal with pressure more. I'm still trying to achieve more in my game and add more to it. I feel like I'm still learning every day, and I want to keep on improving.
The biggest fear that everybody has is dying. Not to get too meta on you, but I think every fear that people are trying to work out is really like I'm going to die and no one is going to care, and it doesn't matter because God might not exist. That's what people are trying to figure out. I wish we all had one fear so we could think about it together and figure out a solution, but we're all doing different things.
I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman.
I think the Russians are trying to figure out what to do. I don't think they know what to do with our president Donald Trump. I don't think they know what to do with the situation. They've been isolated when it comes to Syria and they're trying to figure out what their place in the world is going to be.
I used to worry about every little thing, trying to figure out every problem. Well, I realize now how foolish that was. I was no more in control of my life than the man on the moon.
I'm trying to figure things out in the world. No one knows what this life thing is all about - there's no manual. Just trying to figure it out.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
The emphasis is on community, on participating in more and more programs and events, on meeting more and more people. It’s a constant tension for many introverts that they’re not living that out. And in a religious world, there’s more at stake when you feel that tension. It doesn’t feel like ‘I’m not doing as well as I’d like.’ It feels like ‘God isn’t pleased with me.’
I think 'The Searcher' is a departure from my first because it's less grounded in religion and is far more rooted in the mythic tradition: more of an existential thriller where the main character is actually the central mystery, and his journey is all about trying to figure himself out.
Trying to talk through and figure out new answers really helps me figure out more about what I'm doing - and what we're all doing.
The stress that we [with Abilities] always feel is trying to continue advancing with our music. That's our plight, it's ingrained in our personalities. We feel like we're trying to race the world of music itself - just trying to create the best music, and as soon as we get done with one piece we're trying to figure out how to top it.
I feel like I'm changing as a human being, and I think that the work needed to be in line with where I'm at. When I was younger and I was making political work, I was trying to figure out where my work fit in because when you're young you're like, "I don't know." I'm Latino, I grew up in Mexico, and so I thought that maybe I had to talk about those things. Then finally I didn't need my identity to rely on anymore. So now the work is becoming about more esoteric things, I guess - my own sort of language.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
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