A Quote by Sreenivasan
Saroj Kumar is plagued with insecurity about how he can survive in the industry, what with new, better looking actors coming up, and experimental films taking over his once popular box-office success formulas.
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The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
Many actors will try something different once, but if it isn't a box office success they'll never do it again. In my opinion, there's no point in going on with this job if you do the same thing over and over again.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
I find that it's a very odd thing to think of competition when you're talking about what I still think of as art. I don't think of competing with actors or filmmakers at all. You do compete, in a way, at the box office, but we're far enough apart when both films are coming out that I'm not concerned with that either.
At times I do feel that there is some issue with child actors because in all my films my performance has been appreciated but the films have not created magic at the box office.
At one point, for example, [Donald Trump] argued that he knew much more than military leaders about the pursuit and defeat of ISIS. His assuredness of his own correctness seems also rooted in arrogance reflecting his fundamental insecurity. This insecurity and his belief in his own rightness, when combined with his success at making money, leads him to be self-reliant in his decision-making, which could result in his taking risks with threatening or using nuclear weapons.
I like to think of myself as the Chris Benoit of the movie industry, capable of taking any picture and carrying it to box-office success. Take Garden State, without me that would have just been two hours of Portman doging.
I think that the entertainment industry and the entertainment press tends to focus on opening weekend box office as a measure of the success of a film and I think the true success is out there in people's homes and how much they absolutely love these characters.
I don't think much about how my past films have performed at the box office.
I didn't know box office was a thing you could possess but I don't have it. I go up for lovely roles and people with this nebulous thing called box office get them so there isn't much I can do about that unless you know where I can get some box-office myself!
Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.
When I entered Bollywood, I didn't have any advantage over anyone. I didn't know how to act, I was not from the industry, I didn't know the language, and I didn't know how to dance. So, whatever films I was getting, I was just taking them up.
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
Hollywood is designed to check the box office on Monday morning and see: "How'd we do? How much?" It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.
A lot of times black actors get stuck in a box. They're up against a lot of limitations for the kind of films that they get approached about. It's easy to get stuck in a box and just be approached about nothing but urban films.
Here's the thing about movies, all movies end up on television. That's their life. Whether you like it or not, I don't care how much money you spend on it, or how big or broad the film is, or who the actors are in it, eventually it's all coming out of the box.
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