A Quote by Sreenivasan

In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
Really, the arc for the first season of 'Luke Cage' is 'hero.' How does one become a hero? What does one feel about being a hero? How does one live their life and eventually go through the Elizabeth Kubler-Ross stages of grief until the acceptance is, 'Fine, I'm a hero.' This is what it is.
The book says, 'Vanity Fair - a story without a hero.' Becky is effectively the protagonist, the hero we follow. But she is flawed. Becky is a subject of her own time.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
Growing up, we never got to see a hero who didn't have superpowers who looked like us, that you could kind of look to and say, 'I could be that guy one day. I could be a patriot. I could be a soldier. I could work in the government and be a hero.'
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
In my career, I've often played the protagonist or the hero of the movie, and there are so many rules inherent to that role. The audience needs to stay with you, identify with you and like you. When you play the bad guy, those rules go out the window. There's so much freedom there.
In feature films, I used to be the hero's friend, a regular character. In short films, I played the hero; I got roles where I could work on my character and performance. They made me aware of myself as an actor.
The problem is that when Argentina doesn't play well - and the same is true of Barcelona - the press think it is easy to blame Messi. We have seen time and time again that he wins games on his own when the team is not performing - but the media expect him to always be the hero.
The Hero cares not for a wild winter's storm. For it carries him swift on the back of the storm. All may be lost and our hearts may be worn, but a Hero fights forever.
Figo was my hero. Then he joined Madrid. Barca fans hated him for that. It was impossible for him to be a hero any more, but now that I'm a professional, I see things differently.
"Good guy" or "bad guy", hero or anti hero; doesn't matter to me, what role I play, only the character have something magical.
Good guy' or 'bad guy', hero or anti hero; doesn't matter to me, what role I play, only the character have something magical.
Lord knows Dreams are hard to follow But don't let anyone Tear them away Hold on There will be tomorrow In time you'll find the way And then a hero comes along With the strength to carry on And you cast your fears aside And you know you can survive So when you feel like hope is gone Look inside you and be strong And you'll finally see the truth That a hero lies in you
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
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