A Quote by Sridevi

My approach to selecting a film is very simple - it should touch my heart. — © Sridevi
My approach to selecting a film is very simple - it should touch my heart.
I used to set out and do a film and say, 'This is going to be the biggest film I've ever done.' But that's not the right approach. The approach should be the work.
At the piano, I'm able to communicate in a way that is very intimate and direct. My approach at music is a bit like talking to a friend. You don't have to be very complicated when you speak. If you say what's in your heart, it's usually very simple.
With Schubert, a lot of the melodies are very simple, but he's in this groove. He's in touch with his heart.
But if you're asking my opinion, I would argue that a social justice approach should be central to medicine and utilized to be central to public health. This could be very simple: the well should take care of the sick.
Our approach is very simple we have nothing to negotiate ... We have the Minsk format and we need immediately just a ceasefire and the withdrawal of heavy artillery and weapons and tanks from the touchline, the solution is very simple - stop supplying weapons ... withdraw the troops and close the border. Very simple peace plan. If you want to discuss something different, it means you are not for peace, you are for war.
... the ordinary is simply the universal observed from the surface, that the direct approach to reality is not without, but within. Touch life anywhereand you will touch universality wherever you touch the earth.
The wise screen writer is he who wears his second-best suit, artistically speaking, and doesn't take things too much to heart. He should have a touch of cynicism, but only a touch. The complete cynic is as useless to Hollywood as he is to himself. He should do the best he can without straining at it. He should be scrupulously honest about his work, but he should not expect scrupulous honesty in return. He won't get it. And when he has had enough, he should say goodbye with a smile, because for all he knows he may want to go back.
I had seen 'Onaatah' when I was a part of the National Film Awards jury in 2016. I was very impressed with the film because it was a small but a very inspiring film. Since it touched my heart, I thought of remaking it.
For me, there's one film at a time, and my only benchmark is that my current film should be better than my last one, and I've made sure of that. If you Google the trailer of my first film - which I request you not to - you'll see the vast change in my approach towards my profession and the slow gain of maturity in performing.
The approach I take in selecting a script is based on what I fancy from the the scripts I'm offered.
So that’s our approach. Very simple, and we’re really shooting for Museum of Modern Art quality. The way we’re running the company, the product design, the advertising, it all comes down to this: Let’s make it simple. Really simple.” Apple’s design mantra would remain the one featured on its first brochure: “Simplicity is the ultimate sophistication.
The power of the heart is to be connected with who you are at the deepest level. The power of the heart is the power of life itself, the power of the very intelligence that pervades and underlies the entire universe. It is a power that lies at the very heart of the universe. So to live in connectedness with that, then you are in touch with the power of the heart.
my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of the monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality.
I didn't have anything to do with selecting IFC. I don't have anything to do with distribution, or business, or marketing, but think it's a good choice by Graham, and perfect for London Boulevard. It gets the picture straight into a dialog with the public, and it doesn't set the sights too high. They're very hip at IFC, and they get the film. The cineplex hasn't done film any favors as an art form.
We of the soft-crooning radio type of singer are giving the people what they want. The American public as a whole does not care for full-throated operatic singing. And why should it? Down through the ages, it has been the simple song which has lived and continues to touch the heart of humanity. And so it is with singing.
Selecting a stroke is like selecting a wife. To each his own.
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