A Quote by Sridevi
I felt that 'English Vinglish' was tailor-made for me since I found my character Shashi so relatable. Her simplicity and sensitivity attracted me towards the role.
Related Quotes
'English Vinglish' is simple; that's why people like it. The film has simplicity and sensitivity. There is no melodrama. Some things have been conveyed just through expressions and no lines.
I mean I loved 'English Vinglish' and I love Sridevi, but 'English Vinglish' still needs a Sridevi to get made, it's not like it's just any unknown actor.
I'm not there to tailor the role to me: I'm there to tailor me to the role. That guarantees me something, a precious thing, which is creativity. I'm guaranteed that I will have a creative experience, because I will go to it, not demand that it comes to me.
'English Vinglish' has given me so much respect. I am really thankful to director Gauri Shinde and her husband R. Balki. They blindly believed in me.
I made my personal discovery of Emily Carr while visiting Victoria in 1981 to write a travel article. Immediately, her strong colors attracted me; her spunk fascinated me. Her down-to-earth voice in her writing appealed to me as authentic and original.
Simplicity of living gives you sensitivity of character. A lot of people told me that leaving L.A. and moving to Volcano (district of the Big Island) would ruin my career, but that's my kuleana, my business.
All of us--all who knew her--felt so wholesome after we cleaned ourselves on her. We were so beautiful when we stood astride her ugliness. Her simplicity decorated us, her guilt sanctified us, her pain made us glow with health, her awkwardness made us think we had a sense of humor. Her inarticulateness made us believe we were eloquent. Her poverty kept us generous. Even her waking dreams we used--to silence our own nightmares.
The character is everything that I felt really strongly against - she's superficial, materialistic, vain, amoral. She's all of these things, and I realised that I really hated her. How do you play someone that you hate? But I found it really interesting and it gave me a whole new insight into what my job, or my role as an actress, could be.
My father who was there in the house, he wasn't at all a role model. And my mother, who was trying to protect me from him as best she could, she took me everywhere with her, which gave me a tremendous amount of sensitivity to the things women go through.
Eleonora Duse said, "Tell me about Deirdre and Patrick," and made me repeat to her all their little sayings and ways, and show her their photos, which she kissed and cried over. She never said "Cease to grieve", but she grieved with me, and, for the first time since their death, I felt I was not alone.
Whenever you create something that has a gay theme, it's inherently political. It's important that the intentions of the people behind the project be known. In discussing my sexual orientation, I found it to be germane to the topic of the film. It's what made The Green relatable and personal to me, but I've been out since I was 19. I've never been in the closet, so to say.
I live in New York, and Clara lives in Recife. The character is Brazilian, and as I read the script, I felt like Kleber [Mendonca] had been spying on me in order to create this role [in Aquarius]. Clara and I have different backgrounds. I come from an intuitive world, and she's an academic, but when we got together, we really became one. There are many times when I'm watching the film where Clara will say something, and I will find myself agreeing with her. It was the first time that I had this weird sensation that the character I played is so me, but yet it's so her.
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
Sometimes I've felt that the industry has typecast me as a certain kind of character. But then I think all it really takes is one role, the right role, to shake that up and change that perception.
What it felt to me was like the dissolution of my idea of myself. I felt like separateness evaporated. I felt this tremendous sense of oneness. I'm quite an erratic thinker, quite an adrenalized person, but through meditation, I found this beautiful serenity and selfless connection. My tendency towards selfishness, I felt that kind of exposed as a superficial and pointless perspective to have. I felt very relaxed, a sense of oneness. I felt love.
Saving her life was the one acceptable thing I'd done since I met her. The one thing that I was not ashamed of. The one and only thing that made me glad I existed at all. I'd been fighting to keep her alive since the first moment I'd caught her scent.
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