A Quote by Sridevi

When the audience expects you to do a good job, you become more choosy. It becomes a responsibility. — © Sridevi
When the audience expects you to do a good job, you become more choosy. It becomes a responsibility.
Rules limit you, and once you start thinking about what the audience wants or expects, it becomes a trap that a lot of artists fall into.
Try vegetarianism and you will be surprised: meditation becomes far easier. Love becomes more subtle, loses its grossness — becomes more sensitive but less sensuous, becomes more prayerful and less sexual. And your body also starts taking on a different vibe. You become more graceful, softer, more feminine, less aggressive, more receptive.
Pacifists become militants. Freedom fighters become tyrants. Blessings become curses. Help becomes hindrance. More becomes less.
Familiarity with nature never breeds contempt. The more one learns, the more one expects surprises, and the more one becomes aware of the inscrutable.
As life becomes harder and more threatening, it also becomes richer, because the fewer expectations we have, the more good things of life become unexpected gifts that we accept with gratitude.
The grateful mind continually expects good things, and expectation becomes faith.
The more you think about something, the more important it becomes, the more important it is to you, and the more important it will become to the audience.
Wishing will not make it so. The Lord expects our thinking. He expects our action. He expects our labors. He expects our testimonies. He expects our devotion.
An organization belongs on a sick list when promotion becomes more important to its people than accomplishment of their job they are in. It is sick when it is more concerned with avoiding mistakes than with taking risks, with counteracting the weaknesses of its members than with building on their strength. But it is sick also when "good human relations" become more important than performance and achievement.
If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.
I'm one of those people where, the more responsibility I have, the better I become. The more I rise up to it. The less responsibility I have, the more I can easily devolve.
I used to think that my job didn't have anything to do with the environment. Then I realized that my job, as well as everyone else's job, impacts the environment in some way. And now advocating for sustainability has become my No. 1 responsibility.
People always put me completely out of the game, and that's even nicer because nobody expects you to do a good job and then you do a better job than everybody thinks and it's nicer.
Starting out, they told me: 'You're a good-looking guy. We'll put you in this role, and you can be a conduit for the audience into this side of the story.' But I've grown up, and that's not what I want anymore. My concept of the job I do has evolved. And it is a job, nothing more.
It is not the job of artists to give the audience what the audience want. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artist. It is the job of artists to give the audience what they need
'Promiscuous' implies that I'm not choosy. In fact I'm very choosy. I just happen to have had a lot of choices.
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