A Quote by Srinivasa Ramanujan

While asleep, I had an unusual experience. There was a red screen formed by flowing blood, as it were. I was observing it. Suddenly a hand began to write on the screen. I became all attention. That hand wrote a number of elliptic integrals. They stuck to my mind. As soon as I woke up, I committed them to writing.
That [silk-screen process experience] carried over when I returned from the Army and took more graphic classes at the Institute. And Alix [MacKenzie] and I actually began to produce a line of textiles, which had silk-screen patterns on them.
I remember this one time I had a dream about me writing a screenplay, and when I woke up, you know those dreams that feel so real, but I woke up and I was like, 'Oh my god I have this amazing screenplay I need to write down as soon as I wake up' and then I woke up and I was like what the heck was I dreaming of?
Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!
The number of people in public life who appear on television or on the big screen who are content to be who they are, you can probably count on one hand.
I am not against kissing on-screen but I definitely do not want to be written about for the number of kisses I have had on screen.
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
On his first hand he wore rings of stone, Iron, Amber, Wood and Bone. There were rings unseen on his second hand, One was blood in a flowing band, One was air all whisper thin, And the ring of ice had a flaw within. Full faintly shone the ring of flame, And the final ring was without name.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
You write because you have an idea in your mind that feels so genuine, so important, so true. And yet, by the time this idea passes through the different filters of your mind, and into your hand, and onto the page or computer screen - it becomes distorted, and it's been diminished.
I have always preferred paper and ink to a computer screen and I still write most of my lyrics by hand.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
You remember how you were taught to write. Your mother put a pencil in your hand, took your hand in hers, and began to move it. Since you did not know at all what she meant to do, you left your hand completely free in hers. This is like the power of God in our lives.
'Screen time' is meaningless - what matters is what you do while on the screen. The good, the bad, and the ugly faces of screen time will all have to do with which activities you engage into.
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