A Quote by St. Lucia

In the past, I never wrote any love songs. That was not my thing. — © St. Lucia
In the past, I never wrote any love songs. That was not my thing.
I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.
Any place you love is the world to you”, explained the pensive Catherine Wheel, who had been attached to an old deal box in early life, and prided herself on her broken heart; “but love is not fashionable any more, the poets have killed it. They wrote so much about that nobody believed them, and I am not surprised. True love suffers, and is silent. I remember myself once- But it is no matter now. Romance is a thing of the past.
The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.
A lot of the album is made of love songs I've written over the past three or four years that have lasted the test of time. It's probably the thing that connects the songs together other than the sound of my vocals.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
What I do now is all my dad's fault, because he bought me a guitar as a boy, for no apparent reason. ... I wrote some of my best love songs ever when I was unhappy and my saddest love songs when I was very much in love. When I wrote 'You're in My Heart', which is an uplifting song, I had just broken up with-Now who had I broken up with?. ... Half the battle is selling music, not singing it. It's the image, not what you sing.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.
Just because I write some songs about bad women, though, that doesn't mean I hate women. I've written songs that show great love and respect for women too. Songs that talk about strong, upstanding women and their pain. I have women working on my music. They understand where I'm coming from. So does my mama. I always play my music for her before it comes out. Why do you think I wrote "Dear Mama"? I wrote it for my mama because I love her and I felt I owed her something deep.
When I wrote songs like 'Everyone I Love is Dead,' I never thought about how I was going to execute them live.
As always, I wrote songs. Some people cook or play sports. This is what I love to do. Sometimes I can't express myself that well in talk, so I write songs.
The first time I wrote a song, I couldn't really believe - 'Can you just do that? You're just allowed?' I never thought about songs on the radio and who wrote them.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
We wrote the songs we wrote - we took from our own experiences, melded it together, and wrote what became 'Appetite For Destruction.'
I don't think there is any such thing as a song that is completely great or good. A lot of songs becomes massive hits that are just mediocre, and other times there are incredible songs that never get anywhere and you always wonder why.
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