A Quote by St. Vincent
I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
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I think 'Tattoo's a song that can go so many different ways. Some people think of it as a break-up song, but, for me, it's about somebody who comes into your life and really touches you - be they a friend, a family member or someone you're in a relationship with.
I think that's a responsibility I have, to not leave the listener with complete dread or depressing, dark thoughts, but to leave a little door open so that you can dance your way out if you want to.
I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.
I think in some ways - only in some ways - but in some ways, rock and roll has let me down. It really doesn't leave you a way to grow old gracefully and continue to work.
I think I prefer for the listener to decide for themselves what stuff means, because I always hate it when I think a song is about a horse, and then it turns out to be about a damn trip to France.
You gotta make sure the listener is listening to you, so if you put it into a song, often times, if the song is striking enough, then you can really deliver the story most effectively while keeping the ear of the listener the whole time.
I love the fact that we can't explain coincidences. I think it's like sometimes you walk into a crowded room and you'll see a stranger and you feel as if you know her better than the friends that you came with. And the very fact that you can't explain it is what gives it its power, that it lies in some deeper or mysterious realm, I think.
When you finish a song, your first thought is going to be, 'Is this song a hit?' I hate that we think that way, because it kind of takes a little bit of the meaning out of the songs that are being written, but you're definitely going to think, 'Can this song be put on the radio?'
I suppose my job is to describe spaces that are honest to me. And the goal, I suppose, is that the listener can hear themselves in some way in that song and also, in some way, hear me. And so if the listener is able to identify with my honesty then I'm being the most helpful I can possibly be.
I'm a fairly religious person, so I believe in some things that sound a little crazy I'm sure, depending on where you're standing. I believe in leaving room for things that you can't explain in the universe, and you don't have to be religious to leave room for those things.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
Even your most talented employees have room for growth in some area, and you're doing your employee a disservice if the sum of your review is: 'You're great!' No matter how talented the employee, think of ways he could grow towards the position he might want to hold two, five, or 10 years down the line.
I think Donald Trump has put America in great danger, and I think he's done a disservice to us even if he doesn't win. I think his effect is going to be kind of lasting.
If something gets under my own skin, and keeps reoccurring, it starts to take on a certain weight and value, and I think, "I have to put this in the song. I have no choice but to mention Greek Cypriots in this song." It's a little internal challenge to myself. Like creating little imaginary rituals in yourself to help the song go from nonexisting to existing.
We spend billions on international aid annually, but we don't find ways to connect people to dignified work. I realized that if we don't think about ways to harness private capital to solve problems, we're leaving large amounts of money on the table and doing ourselves a disservice.
I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.
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