A Quote by Stacey D'Erasmo
One of the many pleasures of 'Versailles' is the way in which it seems to emanate not only from the vexed inner being of Marie Antoinette but from the interstices between what we imagine of her and what she was.
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Marie Antoinette: The Portrait of an Average Woman was one of those books I read in my mid-twenties that was life-changing. I think I had a very black-and-white view of Marie Antoinette before, but in reading that book, I developed a lot of empathy for her. She was just caught up in history. There was no place for a woman to do anything at that time anyway.
Never in a million years would I want to live at Versailles with Marie Antoinette or anybody else. I hate to tell you this but I did not even like visiting Versailles. I found it just too ornate. It was like a complete diet of cotton candy, marzipan, and whipped cream.
Marie Antoinette. Her last words were,"Pardon me sir. I did not mean to do it,"to a man whose foot she stepped on before she was executed by the guillotine
Marie Antoinette was funny, I'm sure she was just misinterpreted. You know the 'Let them eat cake' line. She seems like she was kind of funny, like a Chelsea Handler or Kathy Griffin type.
As her life became more unhappy, acting attracted Marie-Antoinette because it fulfilled unmet emotional needs. By all accounts, she was quite good in her little private theatricals. But her desire to be a heroine, both literally and figuratively, was shocking to the French.
Marie-Antoinette was born in 1755, the youngest daughter of Empress Maria Theresa of Austria and Emperor Francis I. She was intelligent and artistic but devoid of the ambition or calculation required to survive in the fetid atmosphere of the French court. In many ways, her character was not unlike that of Mary, Queen of Scots.
I have the high honor of being the only person who has been compared to Marie Antoinette, Darth Vader, and Cruella de Vil at once.
The one broken window that permanently wouldn't roll up had destroyed her perfectly curled blond prom-hair, and by the time we got to the gym she looked like Marie Antoinette with bedhead.
She couldn't imagine why there was such a difference between those children and her. She couldn't imagine why she and all these other people with her had to be treated this way. Who decided this, and what for?
I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.
She glanced across to where Tilly and her brand new husband were posing for photographs, Tilly fluttering a fan coquettishly in front of her face. 'Unfortunately I didn't realise there was a French Revolutionary theme.' 'The Marie-Antoinette thing?' said Dexter. 'Well at least we know there'll be cake.
The concentration in my book on Marie Antoinette's childhood and on her family influences. It is surprising how some books actually start with her arrival in France!
In times of crisis, it is of the utmost importance that one does not lose her head. Marie Antoinette
I think, first and foremost, Marie Antoinette was intellectually impoverished. She really had never been introduced to the notion of abstract thinking - of thinking at all in any profound way.
When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body.
I met [my editor] in a bar where alcoholic beverages are served and I bought her one and I told her the idea. And she said that she liked it very much, which embarrassed me because I thought it meant that she was a lightweight and that in the morning, as so many women say to so many men, what seems like a good idea, you know, turns out not to be.
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