A Quote by Stacey Solomon

When you've grown up with limited resources, there's almost a narrative that everything's unlikely and the odds are against you. I guess then, if things start to happen, you immediately think, 'Do I even deserve this?'
When you're just starting out in the TV business, you don't know anything at all, and you think you're doing a better job than everyone else around you, and you just sort of presume that you're not getting the credit you deserve. And then when you start to get better, the pressure is extraordinary, and then you start to second-guess everything you do, and when people start looking to you for answers, for insight and for analysis and guidance, you start to wonder if you are the right person - even when you have all the information.
We have a generation of women who think that they can just have IVF, and everything will be fine. The odds are against you once you start having IVF, and the odds are against you over the age of 35. And to pretend that it's easy to have a baby in your 40s or 50s is - it's just selling women a false dream.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
The odds against an adoptee ending up as the child of the President of the United States are staggering. But then, so are the odds against a movie star becoming president.
The odds against an adoptee ending up as the child of the President of the United States are staggering. But then, so are the odds against a movie star becoming president
If I hear someone say something, and they're 100 per cent about it, then it's almost inevitable that I'll take the opposite view. I guess I feel at odds with things like society. Absolutism is always a trigger for me.
I am so highly skilled that when I pick up a phrase and then pick up my guitar, a form comes out almost immediately - a song - and once I start, I have to finish it.
Because when does anybody really grow up? I mean, I feel more grown up now, more in a place of solidity and peace. But I think a lot of people take on these roles as parents, or husband or wife, and immediately think 'That's it. I'm grown up now. Done.'
Resources on the planet are limited, and limited resources can come to an end. But there are also a lot of resources that are renewable. A lot of land, for example, can be reclaimed from the encroaching deserts.
We've always been here and we'll always be here. We are a specific arrangement of particles and this instant is infinite. Did we luck out, or didn't we? The odds against this sentence having ever being typed, much less the odds against you reading it were inconceivable. Smile, because the fact that you're able to is almost impossible to comprehend.
The odds were against us, but we deserve to be where we are.
I think Buffy was a grown-up. One of the amazing things about the show was that I was able to grow with her. Yes, she started in high school, and then she went to college, and then essentially she was a mother to all the other Slayers, so I always felt like Buffy was a grown-up.
Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable ? and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.
I was fortunate to start the sport at a young age. I was 6 years old when my dad started teaching me. We started playing tournaments together when I was 11, in the lower ranking of beach volleyball in California. We weren't playing against kids; we played against grown men, so immediately, I had to raise my game to compete.
It is vitally important that you prioritize your film and use your time and energy and resources to make it happen. Stop waiting for things to fall into place. Start doing things right now to make it happen.
In this particular business [cinema], you don't choose your own experiences. They start to happen and then they start to peel off and make other ones happen, and then you can start choosing. But it happens to you.
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