A Quote by Stacy Martin
For me, there's cinema, which I love and would fight for, and then there's also entertainment, and I see them as very, very different. But sure, I'd love to do a blockbuster. I can't wait for someone to tell me, 'Explosion, run!'
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I don't fall in love very easily. It takes a long time, and then, when I have fallen in love, I'm still not sure. I'm suspicious of myself. What if tomorrow I don't feel the same? I have to wait, to be sure. And I wait and wait.
3D is very exciting. I love it. I'm a complete convert. Everything for me, from now on, is 3D. I'm completely convinced it's the future of home entertainment, as well as cinema entertainment. I think it's a paradigm shift, in terms of cinema, and those things don't happen very often. The introduction of sound, the introduction of color photography and now 3D have been the big shifts. They happen once every 40 or 50 years, so it's very exciting to be a filmmaker, working while one of them is happening.
It was actually books that started to make those pockets of freedom, which I hadn't otherwise experienced. I do see them as talismans, as sacred objects. I see them as something that will protect me, I suppose, that will save me from things that I feel are threatening. I still think that; it doesn't change. It doesn't change, having money, being successful. So from the very first, if I was hurt in some way, then I would take a book -- which was very difficult for me to buy when I was little -- and I would go up into the hills, and that is how I would assuage my hurt.
There are many who want me to tell them of secret ways of becoming perfect and I can only tell them that the sole secret is a hearty love of God, and the only way of attaining that love is by loving. You learn to speak by speaking, to study by studying, to run by running, to work by working; and just so you learn to love God and man by loving. Begin as a mere apprentice and the very power of love will lead you on to become a master of the art.
These commercials, I directed them all from inside the tracking vehicle, so I was traveling about 85mph most of the time, so there wasn't really anyone sitting beside me other than the driver. But, you know, yeah the agency is there and VW is there, which is- they're paying for it all and also because the agency created the boards, they want to make sure that you're not going off the rails in executing it. And also they can help, because they- it's a very different thing to cinema.
I love comics, very much, and I love being alone, but I also love the other part. I love actors, and I love filmed entertainment, and that is not something I plan to turn my back on.
It's always a surprise to me when someone comes up to me and appreciates my work. I have a very limited body of work, so I feel very lucky to have gathered such an audience. I'm very thankful to them. I'm extremely grateful to them for showing such love.
Yes - I agree that 'Love Foolish' is very similar to 'Make Me Go,' however, the message is different. 'Love Foolish' follows a story of someone who falls in love, whereas, 'Make Me Go' is a story of someone who wants to find love!
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
If you want to liberate someone, love them.Not be in love with them - that's dangerous. If you're in love with your children, you're in their lives all the time. Leave them alone! Let them grow and make some mistakes. Tell them, "You can come home. My arms are here - and my mouth is too." When you really love them, you don't want to possess them. You don't say, "I love you and I want you here with me."
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think it’s impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them.... I destroy them.
We've learnt to appreciate and respect and love someone who's different from us. It is very easy to accept and love those who are like us, but to love someone different is very hard, and you helped us to do that.
Even if I overcompensate, nobody will ever want me. Not Seth. Not my folks. You can’t kiss someone who has no lips. Oh, love me, love me, love me, love me, love me, love me, love me, love me, love me. I’ll be anybody you want me to be
The near enemy of love is attachment. Attachment masquerades as love. It says, “I will love this person because I need them.” Or, “I’ll love you if you’ll love me back. I’ll love you, but only if you will be the way I want.” This isn’t love at all - it is attachment - and attachment is rigid, it is very different from love.
For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.
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