A Quote by Stacy Martin

I was very anti-French everything for a very long time. — © Stacy Martin
I was very anti-French everything for a very long time.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
Movies in this country, its very complicated, and we could bang on about it forever, but the French movie industry is very different because its very obviously French.
Mark Twain was very unhappy with himself for various reasons. He was very unhappy with America of this time. He thought it was terrible we had no anti-lynching laws, and he was also a feminist, and he was also very concerned with anti-Semitism. He was a good man, but he was hard on himself.
David and Charles Koch are pretty much as far right as you can get on the ideological spectrum without falling off. They are far right libertarians, very anti-government, very pro-business, very anti-tax, anti-regulatory, in favour of free markets ruling the day.
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that
There's other things I'd like to do. I probably won't tour for a very, very long time. It's something that you feel inside and that's the way I've been looking at everything.
When you're writing a book, it's rather like going on a very long walk, across valleys and mountains and things [...] The highest mountain on the walk is obviously the end of the book, because it's got to be the best view of all, when everything comes together and you can look back and see that everything you've done all ties up. But it's a very, very long, slow process.
I think Spain will always remain inspirational, and I think French cuisine will continue to be very French and yet very relevant with its time and keep evolving. But the last thing you want for it is to become too trendy and confusing. It has too much history.
French horn can be very epic, and at the same time, very dark and moving.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
I can evaluate a player in a very short period of time because I'm very close to that game, very educated in that game and played the game for a long, long time. I wasn't just a guy with talent. I learned a lot about the game.
When you go to a show, Americans in New York are very proper, much more so than the French. Everything is perfect. Their hair, the nails, everything. The look. Everything is perfection.
I was so poor for so long that I didn't use anything. I didn't drive cars, I didn't eat very much. So, I figured the world owed me a debt, so I've been eating very well and have had a very big car for a long time. But I still haven't caught up with my youth.
Over the years, my marks on paper have landed me in all sorts of courts and controversies - I have been comprehensively labelled; anti-this and anti-that, anti-social, anti-football, anti-woman, anti-gay, anti-Semitic, anti-science, anti-republican, anti-American, anti-Australian - to recall just an armful of the antis.
I'm an actor, so sometimes there are moments where I think about everything that's happening and I want to cry. I'm doing what I love and I will be doing it for a very, very long time - and it's amazing. A lot of people don't get to do that.
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