A Quote by Stacy Schiff
I once interviewed David Herbert Donald, the Lincoln historian, and we talked about how one deals with the secondary sources and the previous biographies. He said something which kept coming back to me as I worked on Cleopatra, which was: 'There's no further new material; there are only new questions.'
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I don't know that there has ever been a time when Abraham Lincoln didn't stand head-and-shoulders above all other presidents in the historians' eye. But relatively speaking, there have been peaks and a troughs. One peak was in the 1910s-20s; a major trough was in the 1970s-80s. We are certainly on a peak again, something which began in 1994 with Michael Burlingame's 'The Inner World of Abraham Lincoln,' which showed in fabulous detail how many new and untapped sources were available on Lincoln.
This is something that Randi Weingarten said to me when I interviewed her once, which I think I quote in chapter nine. She talks about how only 7 percent of private sector workers in the American economy are in unions. So all the protections that teachers have that are due to collective bargaining - including generous pensions, generous health plans, limits to what they can be asked to do after school and in the summers - all of those things are sources of resentment to the public. And I think that politicians have played off of that quite effectively.
How we understand our own selves and how we work with our DNA software has implications that will affect everything from vaccine development to new approaches to antibiotics, new sources of food, new sources of chemicals, even potentially new sources of energy.
CLEOPATRA: If it be love indeed, tell me how much. ANTONY: There's beggary in the love that can be reckoned. CLEOPATRA: I'll set a bourne how far to be belov'd. ANTONY: Then must thou needs find out new heaven, new earth.
To paraphrase president Kennedy's inaugural, the torch has been passed to a new generation of cartoonists and they are doing really interesting stuff, taking the old cliches and breathing new life into them and inventing new ones. This doesn't mean the previous generation of which I'm a charter member isn't doing good stuff but this new material is invigorating everyone.
One of my great experiences in life was to be interviewed on a late-night talk show by a guy named Tom Snyder. He was interviewing me on a book I had written on the New Testament of the Bible called Rescuing the Bible from Fundamentalism, and we talked about the dating of the books of the New Testament, and I said, "Well, the consensus is that the gospels were written some forty to seventy years after the crucifixion." And he stopped me and said, "Wait a minute, Bishop, that means they couldn't have been written by eyewitnesses."
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
When you advance a frontier, you're doing something that no one has done before. Every time that happens, you have to innovate. You have to think in new ways that hadn't been thought before. You have to invent a new piece of hardware, a new concept, a new law of physics, a new material, a new construction material to enable you to accomplish what it is that you chose to reach for by dreaming about tomorrow.
If I look back, the one thing that I am proud of is that for once I as a political leader, kept every promise I made within one term of office. We achieved a new constitution; we achieved a new bill of rights, which encapsulated this vision of justice for all.
What Donald Trump has been concerned about, what he`s talked about, is when we get deals that don`t level the playing field, when we get deals that aren`t the kinds of best deals we can get, we want good deals, and those are free trade deals to lower the barriers between trade between two countries.
Like all my poems, 'Negotiations' has several sources. It deals with aging lovers and the often silent deals they make. Thinking about bargains made me think of The Little Mermaid and that made me remember something I had just read about the incredibly complex process by which tadpoles (actual little mermaids) are somehow able to reabsorb their tails and fashion their future frog legs.
For me, the whole idea of the radically new is tied to a close reconsideration of older sources. I like to give myself over to those sources, as points of origin, in order to bring things forward. My approach requires me to internalize my sources as much as possible in the hope that new themes might emerge. The material has to be internalized in order for it to live again. Ultimately, paintings reveal themselves on the basis of what they are. They are inseparable from the physical process that goes into their making.
I kept hoping that Donald Trump, once he won the primary, would change. I hoped that we would see a new Donald Trump, one who put forth thoughtful policy positions, stopped denigrating people, and had a more positive vision for America. Regrettably, I have concluded that there is not going to be a new Donald Trump, that he's incapable of saying he's sorry, of changing, of learning, of growing.
I took a computer-science course to fill a prerequisite at Stanford, and I realized that every day was a new problem, and every day you got to think about how to solve something new, how to reason through something new, how to develop an algorithm to solve for something you hadn't worked on before.
I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.
I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set
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