A Quote by Stan Laurel
We never dealt with satire or suggestive material. Although some of our films were broad parodies or burlesques of popular dramatic themes, there was no conscious attempt at being either sarcastic or offensive.
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The exact meaning of irony is so narrow that the word is hardly worth using; in its broad, current definition, it's a euphemism for sarcasm. 'I'm not being sarcastic; I'm being ironic.' No, you're not. You're evading the responsibility for being sarcastic.
When you're being earnest, people think you're being sarcastic and when you're being sarcastic, they think you're being earnest. The moral in all this, of course, is that people should never attempt to communicate.
When you're being earnest, people think you're being sarcastic, and when you're being sarcastic, they think you're being earnest. The moral in all this, of course, is that people should never attempt to communicate.
To me some of the funniest movies would be probably categorized in the dramatic genre, and likewise some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
To me, some of the funniest movies would be probably categorized in the dramatic genre, and likewise, some of the most dramatic films, or films that have the most dramatic moments, are in comedies.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
If we ban whatever offends any group in our diverse society, we will soon have no art, no culture, no humor, no satire. Satire is by its nature offensive. So is much art and political discourse. The value of these expressions far outweighs their risk.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
If the concept of consciousness were to fall to science, what would happen to our sense of moral agency and free will? If conscious experience were reduced somehow to mere matter in motion, what would happen to our appreciation of love and pain and dreams and joy? If conscious human beings were just animated material objects, how could anything we do to them be right or wrong?
There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.
I think comedy and satire are the strongest ways to deal with very serious themes and very painful themes.
When I stepped into the industry, I was dealt this bizarre persona of being this sarcastic fashionista 'it girl' who is friends with loads of celebrities. That couldn't be further from the truth.
Every once in a while, friends leave sarcastic comments on photos. I know they're joking, but the sarcastic humor doesn't always translate well when I am sitting behind my screen reading it. In person, it's easier to play it off as a joke, but online, it can come across as offensive.
The critics try to intellectualize my material. There's no satire involved. Satire is a concept that can only be understood by adults. My stuff is straight, for people of all ages.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
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