A Quote by Stan Laurel

I don't deserve to be mentioned in the same sentence with Charles Chaplin. — © Stan Laurel
I don't deserve to be mentioned in the same sentence with Charles Chaplin.
Most people don't deserve to be spoken of in the same breath as Chaplin or Lucille Ball.
I think, in terms of looking at the trajectory and being around some of the same people, it's certainly flattering words, but I definitely have not done enough to be mentioned in the same sentence as Coach Payton.
I've always wanted to be mentioned in the same sentence or at the same time that you say Quincy Jones or you say Stevie Wonder. I never thought that could possibly ever happen.
I'm flattered if any movie role and my name are mentioned in the same sentence, because there haven't been a ton of them.
Good God. I don’t believe St. Vincent and the word ‘celibacy’ have ever been mentioned in the same sentence before.
I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
To be included in the group with women like Glenn Close and Kyra Sedgwick is a little bit astonishing to me. To even be mentioned in the same sentence as Glenn Close is just ridiculous.
As is the case with all original creators, Charles Chaplin's working life was an amalgam of arrogant self-confidence and deflating self-doubt.
Just to be mentioned in the same sentence with those guys feels good, but I want to take it to another level. I respect those guys because they did it. I'm trying to get where they're at, where people talk about me bringing a championship here.
I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
Charles Chaplin makes a million dollars a year out of a funny, shuffling walk and a pair of baggy trousers, because he does "something different." Take the hint and "individualize" yourself with some distinctive idea.
The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.
In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
Chaplin made me laugh and cry without saying a word. I had an instinct. I was touched by the soul of Chaplin - Mime is not an imitator but a creator.
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