A Quote by Stan Lee

Everything has changed and we're all living in one city now. What happens somewhere affects things everywhere, so I have to be careful and whatever stories I work on, I want them to have redeeming moral values.
Prayer is far-reaching in its influence and worldwide in its effects. It affects all men, affects them everywhere, and affects them in all things. It touches man's interest in time and eternity. It lays hold upon God and moves Him to interfere in the affairs of earth. It moves the angels to minister to men in this life. It restrains and defeats the devil in his schemes to ruin man. Prayer goes everywhere and lays its hand upon everything.
I will use whatever position I have in order to root out hypocrisy. Democrats have strong moral values. Frankly, my moral values are offended by some of the things I hear on programs like "Rush Limbaugh," and we don't have to put up with that.
I will use whatever position I have in order to root out hypocrisy. Democrats have strong moral values. Frankly, my moral values are offended by some of the things I hear on programs like 'Rush Limbaugh,' and we don't have to put up with that.
I am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. Never again can we afford to live with the narrow, provincial "outside agitator" idea.
Art is not and never has been subordinate to moral values. Moral values are social values; aesthetic values are human values. Morality seeks to restrain the feelings; art seeks to define them by externalizing them, by giving them significant form. Morality has only one aim - the ideal good; art has quite another aim - the objective truth... art never changes.
Phil was mumbling that Reuben might become a writer after all and writers had a way of "redeeming everything that ever happens to them.
I think the first year and a half that I was in New York I was having trouble just living somewhere. Back in them days the city was a lot different than it is now.
Now I've got kids, you wouldn't want them to suffer because of a perception of you. I try to be very careful where I do things and make sure I know why I've done them. I wouldn't want them to be stigmatized.
Everywhere, people are discovering that doing things more slowly often means doing them better and enjoying them more. It means living life instead of rushing through it. You can apply this to everything from food to parenting to work.
I want to make the most out of the word ‘fame.’ I want to do good things with my fame, or whatever it is. I want to help and do charity work. There’s something going on in Chile right now with the water, so I think I’m going to down there in a month to help out. My grandfather worked with charities his whole entire life, and we grew up living with him. He always told me about the other side of the world and everything that’s going on.
And in that line now was a whiskered old man, with a linen cap and a crooked nose, who waited in a place called the Stardust Band Shell to share his part of the secret of heaven: that each affects the other and the other affects the next, and the world is full of stories, but the stories are all one.
I'm proud of where I come from. A lot of people leave Mississippi, and their claim to fame is somewhere else. But I have so many moral values that made me the person I am now.
The Bush Administration do have moral values. Their moral values are very explicit: shine the boots of the rich and the powerful, kick everybody else in the face, and let your grandchildren pay for it. That simple principle predicts almost everything that's happening.
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way.
I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.
There's not one way to direct a film, there are so many different ways to do it. Everything affects the way it turns out in the end. Even the smallest things. You don't want to really acknowledge that, because you want to believe that you are the only creative asset as a director. You want to believe you're the only one. But I really feel that everyone teams up and everybody really affects everything. Actually, it's the closest I will get to playing in a band.
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