A Quote by Stan Lee

I'm not that familiar with Andrew Garfield, but if the powers that be chose him, I'm sure he'll be good. — © Stan Lee
I'm not that familiar with Andrew Garfield, but if the powers that be chose him, I'm sure he'll be good.
It can be frustrating when you're put in a category with others. Women do get lumped together in this reductive grouping, and you think, 'Gosh, that rarely happens with the boys.' I'm sure people don't say to Eddie Redmayne, 'How do you feel about Andrew Garfield?'
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
I feel very privileged to have worked with a lot of outstanding actors: Alun Armstrong, Peter Mullan, Matt Smith and Andrew Garfield.
The Good News borne by our risen Messiah who chose not one race, who chose not one country, who chose not one language, who chose not one tribe, who chose all of humankind!
The day of my last A-levels, I took over from Andrew Garfield' in Beautiful Thing, and the thing that followed that was Side by Side' with Josie Walker.
If I could play any superhero... my favorite superhero is Spider-Man. Andrew Garfield is wonderful at doing it to the point that I don't think I should play it.
Good intentions do not guarantee good results. Somehow Andrew Keates turns works of merit into evenings of entertainment. Don't call him a dramaturge, call him an alchemist.
George Washington, Andrew Jackson, William Henry Harrison, Zachary Taylor, Ulysses Grant, Rutherford Hayes, James Garfield, Benjamin Harrison, Theodore Roosevelt and Dwight Eisenhower all rode their wartime heroics into the White House.
He chose the boy he thought most likely to be a danger to him," said Dumbledore. And notice this, Harry. He chose, not the pureblood (which, according to his creed, is the only kind of wizard worth being or knowing), but the half-blood, like himself. He saw himself in you before he had ever seen you, and in marking you with that scar, he did not kill you, as he intended, but gave you powers, and a future, which have fitted you to escape him not once, but four times so far — something that neither your parents, nor Neville’s parents, ever achieved.
When I read the script [of Good Kill], it read like a science fiction film. And Andrew [writer/director Andrew Niccol] is known for sci-fi. But when I spoke to him, he said this picture was 100% factual, which blew my mind. I realized then how little I knew about the drone program. And I felt that, if I knew so little about it, there must be others who should be educated about what's going on.
You wouldn't let him do it, would you, Jamie?" Jamie's expression was very serene. She stared at Andrew when she spoke to her husband. "With your permission, I would like to answer him." "You have it," Alec replied. "Andrew," she called out in a voice as cold and clear as a frigid winter morning, "my husband does whatever he wishes to do. I am sometimes allowed to help, though. If he decides to cut off your feet, I will, of course, offer him my assistance.
The two most engaging powers of an author are to make new things familiar, familiar things new.
Take the veto. Bush is the first president since James Garfield in 1881 not to veto a single bill. Garfield only had six months in office; Bush has had over four years.
In this work are exhibited, in a very high degree, the two most engaging powers of an author. New things are made familiar, and familiar things are made new.
Readers have told me that their children have learned to read after years of struggle after starting to read Garfield's comic strip and many people who have moved to the United States have said that they, too, learned English by reading Garfield.
The most fascinating powers don't mean a thing if the guy's poorly motivated or dull, and the most generic powers won't hurt a well-motivated character. Personality and motivation are what make Magneto, Magneto and not Cosmic Boy. The powers work for him, but it's his motivation that makes him the character he is.
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