A Quote by Stan Lee

I love recording lines. It's like being an actor without having to really act. — © Stan Lee
I love recording lines. It's like being an actor without having to really act.
I just had a throwaway part, really, if you think about it. I'm not a natural actor, you know? I'm a comedian, through and through. And I really love my lines. Those are the lines I want to do.
The good thing about recording everyone separately is it gives the directors more control - they can change one character's lines in a scene without having to re-record everybody, and the story changes a lot before the movie comes out.
I don't really think I feel pressured to become a teen sensation because that's not really my goal in life. It's not really about being star, being popular or having lots of girls. It's really about continuing to be able to act and have fun, and do what I like to do.
I've never acted before in a movie I've directed. This felt like the time to do it just because the " Leaves of Grass" movie itself is so much of a platform for the lead actor. It's really written for an exciting performance and it really depends on the audience watching an extraordinary actor having a great time pulling off this feat. It makes sense to me as a director to act in support of that.
The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the Neve boards were considered like the Cadillacs of recording consoles. They're these really big, behemoth-looking recording desks; they kind of look like they're from the Enterprise in Star Trek or something like that. They're like a grayish color, sort of like an old Army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
I like to record with people. I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
The act of recording requires you to look at and handle and touch things, so yes - art is more than just looking and recording. It's messy and time consuming and people might fall in love and get hurt.
I consider myself a martial artist and an actor. They can work together or individually. I love to do action. I love having a good role in which I can act and fight. Thats double happiness.
I consider myself a martial artist and an actor. They can work together or individually. I love to do action. I love having a good role in which I can act and fight. That's double happiness.
I can spend years studying and being in therapy and having a very analytic spiritual meditation practice, but without the emotional component, without the softening that comes with love and vulnerability, everything else I do is really just surface.
You don't pay an actor to act. An actor will do that for free because we love to act. You pay an actor to wait.
When you love someone, that love has no limit, no measure, because you know in your deepest being that when that love demands sacrifice, you will give it without question. You will not look for reasons, for justification - the act of giving, of sacrificing, is a natural compulsion, like breathing, and it will, in the end, surprise you because you did it without second thoughts.
When you act for a living, you are lucky enough to get to say things you really want to say. You get lines that you look forward to, lines that jump out like a jack-in-the-box; you're thinking: 'Wait till you hear this.'
Unfortunately, when you're an actor you have to act. It's not like you can sit in your living room, your bedroom, your study or whatever and act with yourself. It requires having somebody to respond to.
Being an actor really, really strengthens me as a director. There's just a certain type of understanding that comes from having been there and knowing how much is really being asked of actors that helps me.
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