A Quote by Stan Lee
I wouldn't mind, if Peter Parker had originally been black, a Latino, an Indian, or anything else, that he stay that way. But we originally made him white. I don't see any reason to change that.
Related Quotes
I didn't see a difference between Spider-Man and Peter Parker, to be honest with you. Peter Parker is always Peter Parker. When he's Spider-Man, he's still Peter Parker, no matter how he's dressed.
Any project that you shoot, it's never going to be completely finished the way that... I don't think I've ever worked on anything where every scene has been kept in the order that it was originally in, or that it hasn't been cut down in some way.
'Black' is an adjective, in my book, and the way I use it, sometimes I'll say 'black people.' But if I'm talking about a person, I'm going to say 'a Negro,' because I was taught to say that, and I don't see any reason to change it. I don't think that gives pride or anything else. I don't think you get pride by calling yourself this or that.
I had all these sparkles I'd collected and wanted to work in, but when I originally started writing it and it was originally this novel about all these people set in 1666, what I was so interested in was the New Science.
One of the things I remember as a child: There was a man named Joe Pulliam. He was a great Christian man; but one time, he was living with a white family and this white family robbed him of what he earned. They didn't pay him anything. This white man gave him $150 to go to the hill, (you see, I lived in the Black Belt of Mississippi)... to get another Negro family. Joe Pulliam knew what this white man had been doing to him so he kept the $150 and didn't go.
[Black nationalism] is not designed to make the black man reevaluate the white man--you know him already--but to make the black man re-evaluate himself. Don't change the white man's mind; you can't change his mind. And that whole thing about appealing to the moral conscience of America--America's conscience is bankrupt.
'The New Black Yoga' originally was born from a film that I had made prior called 'Black Yoga.' And I was living in Berlin at the time, dealing with a lot of anxiety and stress around the project that I was working on, which is not an abnormal thing for me.
Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
The American white man (not to speak of the Indian, the Negro, the Mexican) hasn't a ghost of a chance. If he has any talent he's doomed to have it crushed one way or another. The American way is to seduce a man by bribery and make a prostitute of him. Or else to ignore him, starve him into submission and make a hack of him.
Obviously making Peter Parker suddenly bisexual or gay wouldn't really make logical or dramatic sense. It was a hypothetical kind of question about the nature of these comic book characters and the nature of this particular character, and whether sexuality, race, any of those things makes any difference to the character of Peter Parker.
I think what is great is that if anything that I do is interesting to somebody else, then I really don't think it matters at all what I had originally intended.
I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.
I'd love to see Peter Parker and Daredevil hang out. There's a wonderful issue of the comics where Matt Murdock has to defend Daredevil, because the public don't know, and so he has Peter Parker put on his Daredevil outfit so that he can sit in the docks. You know, great storyline.
In the way our Fathers originally left the slavery question, the institution was in the course of ultimate extinction, and the public mind rested in the belief that it was in the course of ultimate extinction . . . . All I have asked or desired anywhere, is that it should be placed back again upon the basis that the Fathers of our government originally placed it upon.
Black and white is much closer to the condition of
dreaming. It links you to the subconscious and I think that was
part of the great appeal of movies originally.. this strange otherness.
I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things. In fact, a lot of my choices that I made were about that very thing. Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, you know, I had kind of a diverse kind of résumé. I'm really - it's what I set out to do as an actor originally.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer