A Quote by Stana Katic
Any girl that's in a professional setting has to have a certain amount of decorum, but there's always a different story going on, when she goes home.
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Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
I look at my little girl and I wonder what she's going to be and what she's going to do and what is it that leads girls certain directions in life. I think a lot of that goes back to what kind of father they had, and so it makes me want to be the best dad I can possibly be.
Every different director has another language - for instance, Hitchcock does not like any bright color ever, unless the story says 'there goes the girl in a red dress.'
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
I am in Deepak Ramsay's 'Koi Mere Dil Mein Hain,' where I am a modern girl who wears bold outfits. She makes heads turn wherever she goes. She is not a brat. She nurses this false belief that she can get any man she wants.
There is always a certain amount of 'transmission loss.' You can have a power generator and if the power is going on 100 miles away, even with very efficient cable there could be a certain amount of loss.
There are always a lot of guys that have potential, but to make it a certain amount of years in the league, it takes more than just potential. You have to be professional, you have to be a good teammate, do things the right way. So now, any chance I get to talk to younger guys, I do it.
I keep telling this story - different people, different places, different times - but always you, always me, always this story, because a story is a tight rope between two worlds.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
If she did see, I hoped she' be amazed. Amazed and thankful, because without even asking, she'd received a genuine autograph from a genuine girl from Atlanta. Not just any girl, but a girl who was, frankly, a pretty big deal. A girl who was me.
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
I know you think that when you're 35, 45, 55, you'll be different. But I'm going to let you in on a bit of a secret. You're going to look different, and your life is going to be different, but in your head you'll always be that 16-year-old girl.
Newspapers have been likened to steamships that move very slowly, in terms of their direction. And when a reporter is sent out on a story, if that reporter has his or her own personal standards and is given a certain amount of time, they're going to probably do as good a story yesterday or tomorrow as they did the day before yesterday when there was a different editor there. But an editor provides vision. An editor decides what's going to be on page one, what gets rewarded, who's given more time, who's given what beats. They set a direction.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
I thought Victoria Beckham was going to be one of those pop girls, but she's absolutely the complete opposite. She's a working girl. She knows what she wants. And when she doesn't know, she really prepares herself. I love this working type of women. And she's a girl from - I don't even know where she's from.
(T)here was a story they used to tell at home about a girl whose punishment was that every time she opened her mouth, snakes and toads came out, snakes and toads with every word. The book didn't say what she did about it, but I've always assumed she probably ended up keeping her mouth shut.
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