A Quote by Stana Katic

Alex Gross is an L.A. artist who has become a friend. His work is really compelling. — © Stana Katic
Alex Gross is an L.A. artist who has become a friend. His work is really compelling.
To come to know your enemy, first you must become his friend, and once you become his friend, all his defences come down. Then you can choose the most fitting method for his demise.
The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
I am thrilled to be working with Alex Sanchez as the artist on 'Katana.' His work is wildly eclectic, exciting and powerful, yet slyly humorous, which is a perfect match for Katana.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
In order to work and to become an artist one needs love. At least, one who wants sentiment in his work must in the first place feel it himself, and live with his heart
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
The second-hand artist blindly following his sensei or sifu accepts his pattern. As a result, his action is and , more importantly, his thinking become mechanical. His responses become automatic, according to set patterns, making him narrow and limited.
I do have high expectations for Alex Riley. He seems athletic, articulate and intelligent. Only time will tell how far he goes, but Riley has bonafide potential. FCW did a nice job of preparing Alex for WWE. Alex's future success is largely up to Alex.
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.'
I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
The responsibility of the artist consists in perfecting his work so that it may become attractively disinteresting.
That is an artist as I would have an artist be, modest in his needs: he really wants only two things, his bread and his art--panemet Circen.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
When Alex left for Alaska," Franz remembers, "I prayed. I asked God to keep his finger on the shoulder of that one; I told him that boy was special. But he let Alex die. So on December 26, when I learned what happened, I renounced the Lord. I withdrew my church membership and became an atheist. I decided I couldn't believe in a God who would let something that terrible happen to a boy like Alex.
Even Michelangelo on his deathbed thought he'd done nothing to ennoble art. He wanted to destroy his work-the Pieta! And this from the greatest artist who ever lived. Of course I am not comparing my work to Michelangelo's. But this eternal dissatisfaction of the artist is what I was talking about.
This site uses cookies to ensure you get the best experience. More info...
Got it!