A Quote by Stana Katic

There's no one type of film that I like watching. I loved 'Tropic Thunder' and the first 'Austin Powers,' and then 'The Godfather Parts I' and 'II,' 'There Will Be Blood,' Wes Anderson films.
My roommate in college in Austin, Texas, was Wes Anderson. Wes always wanted to be a director. I was an English major in college, and he got us to work on a screenplay together. And then, in working on the screenplay, he wanted my brother, Luke, and me to act in this thing. We did a short film that was kind of a first act of what became Bottle Rocket.
In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
Austin Powers' is a huge success. If we get half of those numbers we will be elated. I think this film is more an 'Austin Powers' meets 'Shaft.' But, 'Undercover Brother' is totally unique.
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
'Tropic Thunder' I think is a great film.
I was fortunate in the last century to be in the two biggest hits film-wise, "Godfather I" and "Godfather II," and "Lonesome Dove".
I was fortunate in the last century to be in the two biggest hits film-wise, 'Godfather I' and 'Godfather II,' and 'Lonesome Dove.'
You're supposed to not like the 'Austin Powers' movies because people ruin the catchphrases. 'Austin Powers' is so funny.
I love Wes Anderson films, which are quirky and funny.
There are a few directors as a young person where I was kind of like, 'Well, these are a sure bet.' The Coens, Paul Thomas Anderson, Wes Anderson.
I'm, like, the most insane Wes Anderson fan - his films are pretty much my inner landscapes. I just love him to pieces.
Obviously, the cinematography of films is art, just as a still shot can be art. If I'm watching a Wes Anderson movie, the colour palettes alone, and the way they're painted, could be art. With music, you're a little bit limited, of course, because it's only audio.
Wes Anderson's films, 6-year-olds are crazy about them.
I loved 'Life is Beautiful' and action films are great, like 'Die Hard.' My favourite is the mob film - 'Goodfellas,' 'The Godfather,' 'Once Upon a Time In America,' anything with Robert De Niro in it.
I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.
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