A Quote by Stanislaw Lem

...it is easy not to believe in monsters, considerably more difficult to escape their dread and loathsome clutches. — © Stanislaw Lem
...it is easy not to believe in monsters, considerably more difficult to escape their dread and loathsome clutches.
I have nothing to make me miserable," she said, getting calmer; "but can you understand that everything has become hateful, loathsome, coarse to me, and I myself most of all? You can't imagine what loathsome thoughts I have about everything." "Why, whatever loathsome thoughts can you have?" asked Dolly, smiling. "The most utterly loathsome and coarse; I can't tell you. It's not unhappiness, or low spirits, but much worse. As though everything that was good in me was all hidden away, and nothing was left but the most loathsome.
I find it difficult to believe that I belong to such an idiotic, rotten species - the species that actually boasts of its freedom of will, heroism on command, senseless violence, and all of the loathsome nonsense that goes by the name of patriotism.
When you play against dirty players or very tough players, it's easy to escape because you know what they're going to do. But when the player is tough but intelligent, it's much more difficult.
People still want to escape, but today's escape is different. People now want to know that there are people out there who have more problems and are a train-wreck! This is why I think it's difficult for sitcoms these days, because people are not going to believe, joke, beat, beat, joke, because there ain't nothing to laugh about.
I think rock 'n' roll would become exponentially, considerably more difficult to perform past about 65.
Boo, I think I no longer believe in monsters as faces in the floor or feral infants or vampires or whatever. I think at seventeen now I believe the only real monsters might be the type of liar where there's simply no way to tell. The ones who give nothing away.
People tell their children there are no monsters in the world. They tell them that because they believe it, or they want the child to feel safe. But there are monsters, Luke, all the more frightening because they look like people.
I like monsters in general - that's what I like to write about. Somebody was joking with me that my body was becoming a manual for a role-playing game because I'm covered in little monsters. That's true. I could easily have more monsters on my skin.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Lucio Tan Group has had an historic interest in education. From my days as a struggling working student, I knew that education is the key to escape from the clutches of poverty.
People who don't know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
It's very difficult to escape your background. You know, I don't think it's necessary to even try to escape it. More and more, I start to think that it's necessary to see exactly what it is that you inherited on both ends of the stick: your timidity, your courage, your self-deceit, and your honesty - and all the rest of it.
I do believe in monsters oddly enough. I think they're under my bed. But aliens are ridiculous; monsters I think are real completely though.
I do believe that there are monsters out there - and that they are monsters.
It's so easy to say "evil Nazi monsters," but as soon as we do that, we take away the fact that it was individuals committing individual acts of murder. They had children, and what does that do? As soon as you generalize, they become monsters. It doesn't allow you to understand it in any kind of sophisticated way.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
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