A Quote by Stanislaw Lem
I see a poem as a multi-coloured strip behind peeling plaster, in separate, shining fragments.
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Then I strip the pants away from each leg, like peeling a banana. That's it, the perfect metaphor: peeling a banana.
Sober strip clubs are horrible. When you are sober you see the matrix code behind a strip club. You're paying girls to pretend to like you until you run out of money so they can walk away.
Peeling off my skin / leaving just my eyes behind / You see inside my head / Still know that you are mine.
Information and communications technology unlocks the value of time, allowing and enabling multi-tasking, multi-channels, multi-this and multi-that.
It is impossible to separate works from faith- yea, just as impossible as to separate burning and shining from fire.
It gives one a sudden start in going down a barren, stoney street, to see upon a narrow strip of grass, just within the iron fence, the radiant dandelion, shining in the grass, like a spark dropped from the sun.
When my eyes shall be turned to behold for the last time the sun in heaven, may I not see him shining on the broken and dishonored fragments of a once glorious Union; on States dissevered, discordant, belligerent; on a land rent with civil feuds, or drenched, it may be, in fraternal blood.
I will go on shining, shining like brand new. I'll never look behind me, my troubles will be few.
Until we let go of our mental images of who we are or who we should be, our vision remains clouded by expectation. But when we let go of everything, open ourselves to any truth, and see the world without fear or judgement, then we are finally able to begin the process of peeling off the shell of false identity that prevents our true self from growing and shining in to the world.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.
The poem . . . is a little myth of man's capacity of making life meaningful. And in the end, the poem is not a thing we see-it is, rather, a light by which we may see-and what we see is life.
The poem is a little myth of man's capacity of making life meaningful. And in the end, the poem is not a thing we see-it is, rather, a light by which we may see-and what we see is life.
I see my work behind the camera as the actualization of a poem. I like to linger on images, conveying things through stillness.
The difference between 'lighght' and another type of poem with more words is that it doesn't have a reading process. Even a five-word poem has a beginning, middle, and end. A one-word poem doesn't. You can see it all at once. It's instant.
I was trained to look at colour, edges, to see negative space. I honestly think my greatest influence as a writer is from Cubism - the idea of a multi-faceted, multi-perspective way of looking at things.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
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