A Quote by Stanley Hauerwas
There is nothing wrong with making money, but it was just not in my family's habits to know how to do that. All we knew how to do was work, and we usually liked the work we did.
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My summer jobs for three years were going to work in my dad's factory and earn a bit of pocket money. I absolutely loved it, and I think I learnt more there than I did at Cambridge, actually, in terms of how hard work is and how tough it is finding a job, keeping a job, managing a job and family and commitments outside of work.
People ask me how did you choose the part and how did you prepare for this work? I just learned the lines and showed up; I don't know what else to say because that's all I know how to do.
How did I get here How did I end up in the arms of a boy I barely knew but knew I didn't want to lose I wondered what I would have thought of Andrius in Lithuania. Would I have liked him Would he have liked me
I spend a lot of nights thinking
How did I make it this far?
I spend money every chance I get
Cause god damn I work hard.
Put here to take care of he family
But how was I supposed to know
If I don't take care of myself
Then how am I supposed to grow?
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
He did not know how long it took, but later he looked back on this time of crying in the corner of the dark cave and thought of it as when he learned the most important rule of survival, which was that feeling sorry for yourself didn't work. It wasn't just that it was wrong to do, or that it was considered incorrect. It was more than that--it didn't work.
I worked every night, and I'd go 25, 35, 45 minutes, and that is what made me, and that is that I knew how to work, and I knew how to work the people.
I don't know how this guy knew how much money I was making. I didn't know how much money I was making.
But he like my mother, had certainly come to know that those who work the most do not make the most money. It was the fault of the rich, it seemed, but just how he did not know.
I am telling you now: I might be young, but I am good. I work hard, and I'm a good person. I know what's right. I know what's wrong. And if you give me this chance-- if you just give me one shot to show you how good I can be, how hard I work, how much I believe in doing the right thing -- I won't let you down. I promise.
Don’t do what you know on a gut level to be the wrong thing to doI don’t think there’s a single dumbass thing I’ve done in my adult life that I didn’t know was a dumbass thing to do while I was doing it. Even when I justified it to myself—as I did every damn time—the truest part of me knew I was doing the wrong thing. Always. As the years pass, I’m learning how to better trust my gut and not do the wrong thing, but every so often I get a harsh reminder that I’ve still got work to do.
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
The ideas I'm working with are ideas I'm committed to. I don't know how to soft-shoe them. I don't know how to make them more palpable. I just never knew how to be one of those girls. I wish I knew how to be that sometimes, but I don't know how to be that way.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
'Habits & Contradictions' is the prequel to 'Setbacks.' I had all these titles already in my head before I even dropped 'em. Like 'Setbacks,' I knew that was gone be the first one; I knew 'Habits & Contradictions.' I knew 'Oxymoron.' I got two more albums that I already have the title to it, and I know how I'ma play the theme off of it.
There's nothing wrong with commercial art. There's nothing wrong with consumer society. There's nothing wrong with advertising. There's nothing wrong with shopping and spending money and being paid. There's nothing wrong with any of these things. These are things we do. I just think it's important to look at them from a different perspective - to see how bizarre and banal these rituals we partake in are. It's just important to think about them, I think, and to carry on. Life is about retrospection, and I think that goes for every facet of life.
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