A Quote by Stanley Kunitz
I want to write poems that are natural, luminous, deep, spare. I dream of an art so transparent that you can look through and see the world.
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It is good that the window should be transparent, because the street or garden beyond it is opaque. How if you saw through the garden too? It is no use trying to 'see through' [everything]. If you see through everything, then everything is transparent. But a wholly transparent world is an invisible world. To 'see through' all things is the same as not to see.
I write poems for children to help them celebrate the joy and wonder of their world and to look at their lives from the inside out. I write humorous poems to tickle the funny bone of their imaginations.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
Strange to say, the luminous world is the invisible world; the luminous world is that which we do not see. Our eyes of flesh see only night.
To me, writing is about how we see. The writers I want to read teach me how to see-see the world differently. In my writing there is no separation between how I observe the world and how I write the world. We write through our eyes. We write through our body. We write out of what we know.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
You see, writing down your meanderings gets something started deep in the recesses of your brain. That distant part of your mind knows that you want to write stories or poems or plays and not endless jabber, and it will get to work. It may take a while. You may have to write this stuff for hours or days or weeks, but eventually that subterranean part of your brain will come through and begin to send you ideas.
As if channeling Robbe-Grillet, who strove to establish 'new relations between man and the world,' Sesshu Foster's electrifying prose poems tenderly examine then fiercely weave stark-and-broken realities into luminous dream-like narratives on the game of life.
If we could look through the skull into the brain of a consciously thinking person, and if the place of optimal excitability were luminous, then we should see playing over the cerebral surface, a bright spot with fantastic, waving borders constantly fluctuating in size and form, surrounded by a darkness more or less deep, covering the rest of the hemisphere.
The Ego is a transparent mental image: You, the physical person as a whole, look right through it. You do not see it. But you see with it.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
The thing that I've decided is, I don't want to be invisible, but I'd like to be transparent. I want people to see what I'm thinking and see through me.
I want to write poems which are very emotional, but I would have some hesitation in saying I want to write poems which are sentimental.
I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.
If you want to be successful in the art world you've got to look to the art world; you don't make it for the bloke next door and then hope the art world is going to look at it. That's one of the big mistakes people make.
A veil hangs between the two opposites, a mere slip of a thing that is transparent to warn us or comfort us. You hate now but look through this veil and see the possibility of love; you're sad now but look through to the other side and see happiness. Absolute composure to a complete mess - it happens so quickly, all in the blink of an eye.
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