A Quote by Stanley Kunitz
The poem in the head is always perfect. Resistance begins when you try to convert it into language.
Related Quotes
The poet resists the pressures of reality, including the pressures of violence, in making, in forming, the poem. The tension is in the resistance - the poem is an act of resistance.
This language is from the head. It is a way of mentally classifying people into varying shades of good and bad, right and wrong. Ultimately, it provokes defensiveness, resistance, and counterattack. It is a language of demands.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
Being president is as difficult as writing the perfect poem. And being president is as effortless as writing the perfect poem. Always a Reckoning, my first collection of poetry, was described by Booklist as 'keenly evocative.'
Missionarying was a better thing in those days than it is in ours. All you had to do was to cure the head savage´s sick daughter by a miracle- a miracle like the miracle of Lourdes in our day, for instance- and immediately that head savage was your convert, and filled to the eyes with a new convert´s enthusiasm. You could sit down and make yourself easy now. He would take the ax and convert the rest of the nation himself.
You should always be trying to write a poem you are unable to write, a poem you lack the technique, the language, the courage to achieve. Otherwise you're merely imitating yourself, going nowhere, because that's always easiest.
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up
What I try to do is to go into a poem - and one writes them, of course, poem by poem - to go into each poem, first of all without having any sense whatsoever of where it's going to end up.
Art begins with resistance - at the point where resistance is overcome. No human masterpiece has ever been created without great labor.
You should do whatever language you feel is the perfect language for you to sing in and then try to strive to do the best.
What I loved about it was language-wise it wasn't that finely-tuned-perfect-insult-for-the-perfect-situation that sometimes we try and do on Veep.
One of the things I love about translation is it obliterates the self. When I'm trying to figure out what Tu Fu has to say, I have to kind of impersonate Tu Fu. I have to take on, if you will, his voice and his skin in English, and I have to try to get as deeply into the poem as possible. I'm not trying to make an equivalent poem in English, which can't be done because our language can't accommodate the kind of metaphors within metaphors the Chinese written language can, and often does, contain.
Quality and perfection are achieved with time. You do not create a perfect painting or a perfect poem by hurrying. Time is always coming.
Everything in writing begins with language. Language begins with listening.
I didn't work hard to make Ruby perfect for everyone, because you feel differently from me. No language can be perfect for everyone. I tried to make Ruby perfect for me, but maybe it's not perfect for you. The perfect language for Guido van Rossum is probably Python.
I didn't work hard to make Ruby perfect for everyone, because you feel differently from me. No language can be perfect for everyone. I tried to make Ruby perfect for me, but maybe it's not perfect for you. The perfect language for Guido van Rossum is probably Python.
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