A Quote by Stanley Tucci
Sometimes you can't even find the director on a movie set. Sometimes you don't want to find the director on a movie set.
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I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
Sometimes when I make a movie, my main goal is to show the movie to one particular director.
Sometimes when you get on a new movie you kind of how to figure out the way other people work and it can be like being the new kid in high school where you're just trying to find out where your place is on the movie or on the set.
Sometimes when I make a movie, my main goal is to show the movie to one particular director.It's not about competing. It's mostly about someone who did something that blew your mind and you want to see if you can render the joy.
There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
The size of budgets does not alter my decision if I should do it. If there's a movie with a budget of only $1 million that I find interesting, then I'll sign up, but it has to be in the hands of a director who can do something with it. Ultimately, it's a director's medium.
I find inspiration in many places. Sometimes music gives me the kernel of a story. Sometimes it's dissatisfaction with the plot of a movie or a book that gets me thinking. Sometimes it's love of a movie or book.
I kind of joke with myself that you shouldn't be able to be a creative producer if you weren't a first AD. Because it is such fantastic training for really understanding what everyone does, and how the movie actually gets made. You have to know if you're the first you're kind of the set general, you're at the director's right hand, you know everything about how a director puts a movie together, you know everything about how a movie gets made.
When I'm in a movie, what I always do, instead of sitting in a trailer or watching a DVD, is I go on the set and watch the director work and the actors work, and sometimes I'll hang out with B camera and watch what they're up to and ask questions because there's so much to learn about the medium.
Once you turn on the camera, making a movie is making a movie. I don't care if it's $9 million dollars or $50 million dollars. You have bigger toys, bigger set, actors who are better paid, but once you turn on the camera, it's director and performance, and I don't find a big difference.
Every movie you do, you find something in yourself that you probably didn't know that you had, and a director will find something in you that you can nurture and find and bring for the next one.
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
I never went to work on a movie set until I was a producer and director.
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