A Quote by Stanley Tucci

I'm not saying they won't be bigger projects someday. — © Stanley Tucci
I'm not saying they won't be bigger projects someday.
Someday I'll fly Someday I'll soar Someday I'll be so damn much more Cause I'm bigger than my body gives me credit for
I worked on human rights projects in Haiti, Cameroon, and East Asia, and the bigger ones tended to do with agriculture. My role was to make sure that there was equity that remained at the base of those projects, with the workers. I had a couple of different lives.
No doubt we have to have bigger projects, bigger industries, basic industries, but it is a matter of the highest importance that we look to the common man, the weakest element in the society.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
We easily become trapped in the 'someday' mentality. Someday I'll have all the money I need to enjoy life. Someday I'll be able to spent more time with my family. Someday I'll have time to relax and do what i love doing.
There were open source projects and free software before Linux was there. Linux in many ways is one of the more visible and one of the bigger technical projects in this area, and it changed how people looked at it because Linux took both the practical and ideological approach.
One day, you’re 17 and you’re planning for someday. And then quietly, without you ever really noticing, someday is today. And then someday is yesterday. And this is your life.
The truth is when you have a movie that was as successful as 'Chronicle' was, it's not as quick of a process. There are a lot more voices coming in and saying 'This is what the sequel should be' because there's a bigger expectation and a bigger fear of failure. And that's really what's going on with 'Chronicle 2.'
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
I've always had lots of side projects in my life, but what's exciting for me is knowing that Adrenaline Mob is bigger than that.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
One of the things I regret is that magazines now are so lifestyle-orientated that the opportunity to do bigger projects is gone. This is a serious misjudgment on the part of magazine editors.
Someday I'll get married, and on my wedding day they'll be saying, 'Okay, we have to ask about that infamous Oscar kiss.'
Commerce is abusive. It's very hobbling to always be saying, 'Please let me put this out, this thing I've worked on for years.' It's like a nasty parent saying, 'No! Now go to your room.' As publishing companies got bigger, you felt even less significant.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
When I used to go on the Wikipedia page, and I haven't gone on the page in a while, there used to be some guy who was doing my page and he would say that he was my cousin and I was going to be doing projects with him. I don't know who this person is and I don't have a cousin by this name and this person keeps saying that they're doing projects with me. It's so weird.
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