A Quote by Stanley Tucci
When I write a screenplay, and when I direct, I always pull lines out.
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When I write a screenplay - and I think this is true for a lot of people - you direct the movie. Thats what writing a screenplay is.
When I write a screenplay - and I think this is true for a lot of people - you direct the movie. That's what writing a screenplay is.
I think longer that you sit on a screenplay the longer you sit. I'm a firm believer that you can write the magic out of a movie, out of a screenplay. I'm not saying that the first draft is always the best draft but a lot of times the magic is in the first couple of drafts. T
I don't write as much now as I used to, but I write. The lines still come, maybe periodically, and I'll go through these little bursts of time where I write a lot of things then a long period of time where maybe I don't write anything. Or these lines will come into my head and I'll write 'em down in a little book, just little sets of lines, but I won't try to make stories or poems out of them. I'm doing a lot of that now, just the lines.
I'd love to be a director-for-hire and get a nice paycheck and captain one of those big ships, but I think studios mistakenly think I want to write what I direct - which I don't. I write out of desperation, because I never get a script I like, other than "Nebraska." It's a matter of: What's the screenplay? Is it intelligent? Is it human? I don't care what genre, what scale. I'm here for the movies.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
You can't write a screenplay if you've been doing a zero-hours contract. Which means that the people who write drama, the people who commission dramas, and the people who direct dramas all come from a small circle of society.
Once I was in college, I was actually trying to write a comedy screenplay and I wrote basically the worst movie ever and just threw it away and never showed anybody. Everyone needs to get that first bad screenplay out of your system before you start writing other stuff.
I have hundreds of Word documents filled with pages of one-liners. If I begin to write a story, or if one of my thoughts leads to more than a couple paragraphs of writing, I'll go into these documents and pull out lines that I think would work with it.
You cannot live in Los Angeles for any period of time without eventually trying to write a screenplay. It's like a flu bug that you catch ... Even the plumber has a screenplay in his truck.
The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.
Political consequences have never really come into my thinking. I didn't think about it when we made 'Maurice' or when I said first I would co-direct and then write the screenplay of 'Call Me'. I was just making something I thought I would enjoy creating.
Most directors, I discovered, need to be convinced that the screenplay they're going to direct has something to do with them. And this is a tricky thing if you write screenplays where women have parts that are equal to or greater than the male part. And I thought, 'Why am I out there looking for directors?'—because you look at a list of directors, it's all boys. It certainly was when I started as a screenwriter. So I thought, 'I'm just gonna become a director and that'll make it easier.'
I always wanted to direct and write a movie, but I thought that I didn't really have it in me. I tried to write fiction and humorous short stories, and some were considered successful, but it was always a huge effort for a small reward. I was always intimidated by the process.
Every project that you write about or read about, it goes through years of hard work. We write a screenplay; we design. Then you submit those and the budget, and it's out of your hands.
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