A Quote by Stanley Walker
The night club had a curious and diverse appeal. To some it was a sex-exciter. To others, frequenting a night club and throwing away money was a form of exhibitionism...wealthy men from out of town visited the clubs for appalling orgies of spending and drinking, and most of them seemed to think it was worth the cost.
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Every single night, there seemed to be the same seven or eight guys - Harry Nilsson, myself, Mickey Dolenz, Bernie Taupin, Keith Moon when he was in town. It was actually sort of a social club - drinking club - for rock stars that drank - seriously drank.
I've been driving in the city for years because, as a stand-up in N.Y.C., you can perform at more comedy clubs a night if you have a car. Getting from club to club by subway is too slow at night and too expensive by cab. So, many comics live far out from Manhattan and drive in every night.
The first club that reopened in New Orleans was Caesar's, and they called me immediately and said let's do a regular night with you here. So we started FEMA Fridays. It was the only club open in the city, and a lot of people had a lot of money from Katrina, the checks and stuff, so the joy inside that club - I don't think that'll ever come back.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
I tagged a first-timer one night at fight club. That Saturday night, a young guy with an angel’s face came to his first fight club, and I tagged him for a fight. That’s the rule. If it’s your first night in fight club, you have to fight. I knew that so I tagged him because the insomnia was on again, and I was in a mood to destroy something beautiful.
Clubs have sponsors. They are just there for commercial reasons but the club calls them partners. Then you have the fans. The fans are emotionally involved, they are loyal, and the clubs call them customers. I think fans owning a share of the club would mean the owners know what 'customers' really think and feel.
I may see somebody in a club one night and go, Wow, she's the most attractive girl I've seen in a long time. Then I'll see her the next night and be like, Oh no, I don't think so.
I stayed with them for about a year up there and, at night, worked over in Long Island at a club called The High Hat Club which was like a pseudo jazz / blues place.
'The Dante Club' was one of America's most important book clubs, as their Wednesday night meetings ultimately led to our country's first exposure to Dante's poetry on a wide scale.
If a club like Barcelona can do it, then why can't other clubs? It's amazing that we can be here alongside the men and the way everyone is integrated in the club. People aren't just walking past you going, 'Who's that?'
Ah, it was a fine night, a warm night, a wine-drinking night, a moony night, and a night to hug your girl and talk and spit and be heavengoing.
The reason we are here is thinking, 'What can we do to make this club a better club?' I don't want the guys to think about what the club can do for them.
I used to run a night club in Fort Myers, Florida called Norma Jean's Dance Club. That was the hottest spot from Sarasota to Cuba.
I went downtown as a lawyer and then I worked in a liquor store at night, as I had done all through law school. And so when I got to the point where I could give up the night job, I joined the political club.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
One of the reasons I had moved to London to pursue my career was that I could go to the clubs in the evening and maybe meet my heroes, people like Donovan and Bert Jansch and Dylan. I actually did see Dylan in a club one night.
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