A Quote by Starhawk

The Goddess does not rule the world; She is the world. Manifest in each of us, She can be known internally by every individual, in all her magnificent diversity. — © Starhawk
The Goddess does not rule the world; She is the world. Manifest in each of us, She can be known internally by every individual, in all her magnificent diversity.
The Goddess does not rule the world; She is the world.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
To Witches, the cosmos is the living body of the Goddess, in whose being we all partake, who encompasses us and is immanent within us. We call her Goddess not to narrowly define her gender, but as a continual reminder that what we value is life brought into the world ... She has infinite names and guises, many of them male.
As far as I'm concerned, Cate Blanchett is a goddess, but she's really down to earth. She's got all those Oscars, she's made all those amazing films and she could spend her whole life doing that, but what does she also do? She gives birth to three boys and creates her own theatre in Sydney.
Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.
Elena had always felt like the center of her own world - who doesn't? The world arranged itself around her like petals around the stem of a flower. This way the meadows, that way the woodland. Over here, the baryn's estate, out there, the hills that hug the known world close and imply a world at beyond. She could never come up with the edge of a world, because it always kept going on beyond. She moved the center of the world as she walked. The world was balanced on her head.
I stare at her. I've always known that it's impossible to argue with Belinda, not because she's particularly good at it, but because she's so bad at it- that there is no common ground to work from. She simply sees the world she wants to see it and no amount of logic can change her mind.
Every human being is inherently a unique and individual form of life. He or she is made like that. But there is something which a person can do over and above the given material of her nature, and that is she can become conscious of what makes her the person she is, and he can work consciously toward relating what is himself to the world around him.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
You must be mistaken," Isabel said, unconcerned by the insult that the words carried. "I assure you i am not. Voluptas is nearly always portrayed wrapped in roses. If that were not enough, her faces confirms her identity." "You cannot tell a goddess from a face carved in marble," she scoffed. "You can tell Voluptas by her face." "I've never even heard of this goddess, and you know what she looks like?" "She is the goddess of sensual pleasure." Isabel's mouth fell open at the words. She could not think of a single thing to say in response. "Oh
She's a shiksa goddess and a trapeze artist, all of that. She can fix the truck...she's outta this world...she's bold, inventive and fearless. That's who you wanna go in the woods with, right? Somebody who finishes your sentences for you.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
My sister, with her ratty red-highlighted hair and her linen pajamas and her combat boots—how could she possibly worry about being possessed by a goddess? What goddess would want her, except the goddess of chewing gum?
Take love as a sober man takes wine; do not become a drunkard. If your mistress is sincere and faithful, love her for that; but if she is not, if she is merely young and beautiful, love her for that; if she is agreeable and spirituelle, love her for that; if she is none of these things but merely loves you, love her for that. Love does not come to us every day.
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