A Quote by Stark Sands
My first soldier role was in 'Flags of Our Fathers.' Casting director Jay Binder saw that movie and was looking for soldiers for 'Journey's End,' which led to 'Generation Kill.'
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I did the plays in middle school. I was cast as a gate in my fourth grade play, and every year I got a bigger role. Then, in 7th grade, I played Smike in 'Nicholas Nickleby,' and the casting director saw me and asked me to audition for a movie. That movie led to me getting 'Moonrise Kingdom.'
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
Casting director was a part-time thing, which later became a full-time job because there was a lack of casting directors in our industry and people were looking for professionals to do it.
My father being a soldier, every time I saw soldiers marching - 'Well,' I thought, 'my father's that,' and these soldiers were always looking magnificent. And I thought they were powerful; they were all-powerful. I knew that they were an elite in India.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
The first documentary I saw that tried to show the actual experience of being a soldier in combat was 'The Anderson Platoon,' by French director Pierre Schoendoerffer, which won the Oscar for best documentary in 1967.
When I did my first film I kind of fell into it. I got cast in this movie called 2:37... the director, Murali K Thalluri, basically saw me and said: "I'm going to put you in this movie." And that week I felt like a void had been filled. I was so in my element. I was thrown in at the deep end.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.
I can work hard and be disciplined like a soldier, but I could never reach their level of fitness. I have a whole new appreciation of soldiers. I saw myself on screen and thought, 'That body is so not hard enough to be a soldier.'
If Afghan soldiers continue to kill American soldiers as is happening these days, it can hardly be assumed that they will stay in Afghanistan in the long term. And what role are they to play? There will not be enough soldiers to ensure the security of the country. But will the US still be permitted to kill terrorists in Afghanistan and Pakistan with un-manned drones? That could worsen the situation in the neighboring states and they could view Afghanistan as a threat.
I think what I reacted to so strongly when I first saw 'Pinocchio' was that I identified with the character so strongly. The movie takes you on a whole journey, a rollercoaster of emotions, and that sometimes means some very scary places. But in the end, it comes out okay.
I remember the first horror movie I saw - I was five years old; it was a direct-to-video movie called 'Truth or Dare: a Critical Madness,' which is sort of badly fantastic or fantastically bad. And then 'Gremlins' was an early movie that I saw, and 'Nightmare on Elm Street 3.'
I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.
I was an apprentice at the San Francisco Ballet, and a casting director came to one of our rehearsals to scout talent for 'Center Stage.' I landed the role of Jodie.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
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