A Quote by Statik Selektah
Some artists send their verses, and others record in my studio. Depends. I prefer them being there.
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I think taking too long to work on a record you sort of lose some of the feeling, so I write as fast as I can; it's just this manic phase where I'm by myself and or on tour and I write and I write. And I send them to the guys, and we start planning our studio ventures.
Success for some people, depends on becoming well-known, for others it depends on never being found out.
Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.
There are certain verses in the Quran which convey injunctions similar to the following: 'Kill them wherever you find them.' (2:191) Referring to such verses, there are some who attempt to give the impression that Islam is a religion of war and violence. This is total untrue. Such verses relate in a restricted sense, to those who have unilaterally attacked the Muslims. The above verse does not convey the general command of Islam. (pp. 42-43)
Nowadays, not to say that that doesn't happen, but music is made a lot almost in a laboratory where you get one guy working in one studio, they send the file to another guy in some other part of the world, they send it back and then they send it this way and that way. Musicianship is kind of - there's nothing wrong with that. In fact, some great music is made that way.
I had more verses . Owen Bradley said, 'Loretta, there's already been one El Paso and we'll never have another one. Get in that room and start taking some of those verses off.' Yeah, I took six verses off.
Send us people with initiative, who can carry themselves and others too; such as need to be carried hamper the work and weaken those who should be spending their strength on the heathen. Weaklings should be nursed at home! If any have jealousy, prides, or talebearing traits lurking about them, do not send them, nor any who are prone to criticize. Send only Pauls and Timothys; men who are full of zeal, holiness and power. All others are hindrances. If you send us ten such men the work will be done.
In my opinion, I would still like to go into a studio - because I love the environment of being in a studio - and record a great album beginning to end, but then maybe not release it as an album. Maybe put singles out there, put songs out there - either give some away or release some the traditional way.
You can see how different artists work, from writing to recording, just from being in the studio environment with them.
Music being “good or bad” is a flawed idea. Artists make what they want to make and we either connect with it or we don't. Just because we relate to some songs more than others doesn't make the others less valid, we just don't understand them. In fact, we aren't meant to, and that's all right.
I don't like working in a studio, at all. I just prefer to be on location, rather than hearing the bells of the studio going off. It's like being in Las Vegas, where no one knows the time and there are no windows.
I know of some guitar-based rock bands that refuse to record anything that they can't play live. But some of the best stuff I come up with are studio-based performances - bringing out whatever accident I had in the studio and building a song around that.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I'm developing artists for my new record label, my son's band, Intangible, being one of them.
Most solo artists go out on their own and put their name on the record. I prefer to create little alternative universes.
To make a record requires a strategy; it's not just throwing somebody in the studio and seeing how it goes. Some artists are self-contained, but they still need advice about producers and collaborations and single choice. They need an army and a perspective and creative friction, because nobody has all the ideas.
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