A Quote by Stef Penney

If writers stuck to firsthand experience, novels would be pretty limited. — © Stef Penney
If writers stuck to firsthand experience, novels would be pretty limited.
I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable.
I have a limited knowledge of the Internet, which is pretty clear, I don't even turn anything on other than my phone, when it gets stuck, my kids turn it on.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely. I think this is the area where writers need to place ourselves: from a position of absolute modernity and contemporaneity, creating a culture of objects which cinema cannot.
I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
The really great writers are people like Emily Bronte who sit in a room and write out of their limited experience and unlimited imagination.
I am suspicious of writers who say their work is original and influenced by nobody. If it is, it is probably uninteresting. The biggest source of novels is other novels.
There are these boutique writers out there who think if they are not writing their novels sitting at a bistro with their laptops, then they're not real writers. That's ridiculous.
I've never really understood that whole thing of writers avoiding other writers' novels while they're working on their own.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.
One has to taste an experience for oneself and find out if the thing is genuine or helpful. Then, before discarding something, one has to go further, so that one gets firsthand experience.
From my experience, I've been honest about who I am and what I believe and the motivation behind my music. But I've played it in arenas that are for all people. I've pretty much stuck to that model my whole career.
We hear a great deal of lamentation these days about writers having all taken themselves to the colleges and universities where they live decorously instead of going out and getting firsthand information about life. The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can't make something out of a little experience, you probably won't be able to make it out of a lot. The writer's business is to contemplate experience, not to be merged in it.
Especially in black communities, we've been so groomed to stay where we are and not like people in the other neighborhoods. It's crazy. It won't allow people to experience life and see what the world truly has to offer. People are stuck in their ways, stuck in their communities, stuck on their streets.
I used to think there would be a blinding flash of light someday, and then I would be wise and calm and would know how to cope with everything and my kids would rise up and call me blessed. Now I see that whatever I'm like, I'm pretty well stuck with it for life. Hell of a revelation that turned out to be.
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