A Quote by Stefan Sagmeister

I'm actually quite critical of the storytelling theme. I think all the storytellers are not storytellers. — © Stefan Sagmeister
I'm actually quite critical of the storytelling theme. I think all the storytellers are not storytellers.
I think it would be bad for storytellers in general if one company was able to seize a 40-50-60% share in storytelling. I don't think monopoly market shares are good for society, and I think they'd be particularly bad for society and storytellers if they were achieved in the storytelling genre.
First, the skill of storytelling helps to galvanize your team. Second, the discipline of storytelling requires leaders to be clear about their intentions and to prioritize what fits into the story versus secondary goals and issues. Third, there is possibly an artifact here - great storytellers can make their exploits and achievements sound very exciting and memorable. Successful leaders who are not good storytellers won't get the acknowledgement and appreciation they deserve.
Story is morally neutral. It can express profound truth or propaganda. The two greatest political storytellers of the 20th Century were Winston Churchill and Adolph Hitler. Because storytelling is a form of persuasive jujitsu, and because world is full of black belt storytellers, the corporate leader has to train both his offensive and defensive moves
Because storytelling, and visual storytelling, was put in the hands of everybody, and we have all now become storytellers.
I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.
So much Western storytelling comes from Scandinavia. I've read that in the past, storytellers would travel to Iceland and exchange stories. It's kind of the birthplace of great storytelling.
I think our storytellers - our songwriters should be great storytellers, and they should be mountain climbers and explorers, because music is something that can cross all different borders.
I really do see everybody at Marvel Television as storytellers. They might have different titles, but whether they're actors or they're showrunners or they're somebody that answers the phone, all of them are storytellers.
In 21st-century storytelling all bets are off: anybody can do anything. We're all storytellers.
In its 400 years of existence, storytellers never evolved the book as a storytelling device.
Perhaps storytellers don't need to care as much about the future as executives and investors do. After all, isn't it possible that technology will enable storytellers to connect directly to their audience without the need for anyone to share the programming decisions or the profit in between? Don't bet on it.
I was a super-duper Tupac fan, and I realized later, when I became a huge Nas fan and a huge Eminem fan, I was drawn to the storytellers. They all told stories in different ways, but they were all like the best storytellers.
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
The storytelling tradition that you bring from the South, I don't know where it arose, but it's still there. You can't go to the feed store, or the country courthouse without running into storytellers.
Before we were born, a whole society of storytellers was already here. The storytellers who were here before us taught us how to be human.
Everybody in my family were great storytellers. My dad and his brothers would just go on and on; they could tell amazing stories. I think it was something to do with the Celtic, oral storytelling tradition. People very much had that propensity towards telling tales.
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