A Quote by Stefan Sagmeister

I am not a religious person myself, but I did look for nature. I had spent my first sabbatical in New York City. Looked for something different for the second one. Europe and the U.S. didn't really feel enticing because I knew them too well. So Asia it was. The most beautiful landscapes I had seen in Asia were Sri Lanka and Bali.
I have a restaurant in Sri Lanka, and I feel keen to open up something here in Mumbai and bring Sri Lankan food here in India. I feel we have so much in common, but we have a different cuisine, and I am sure people will enjoy here.
David Attenborough has said that Bali is the most beautiful place in the world, but he must have been there longer than we were, and seen different bits, because most of what we saw in the couple of days we were there sorting out our travel arrangements was awful. It was just the tourist area, i.e. that part of Bali which has been made almost exactly the same as everywhere else in the world for the sake of people who have come all this way to see Bali.
I knew that I wanted to live in a city, but had never really been to New York. But I was begging my parents as a kid to move to New York, so it was just something that I sort of knew from a young age.
India deliberately aggravated Sri Lanka's ethnic crisis. It destabilized Sri Lanka [by training and arming Tamil militants, including the Tigers] so that it could play a dominant role in bringing Sri Lanka within its sphere of influence.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
I spent seven years in France. Then, I went to Asia for five years. I came to London in 1984 and then America in 1985. In 1991, I opened my first restaurant in New York City.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I had a bonding problem when I went off and boxed for five years. I was over in Europe and Asia fighting because I wanted to do something different; I was tired of acting. But the thing is, when I was done doing that, I couldn't get a job.
When I hear people flatteringly say, 'You're an expert on East Asia...' I'm certainly an observer of East Asia, and central Asia, and ASEAN, and to a lesser extent South Asia and the Gulf, but there's always something behind the wall in China.
I've been different things in different contexts, and I didn't really feel beautiful until I had my first child. I knew that I was considered 'People' magazine's Most Whatever, but all that stuff is just how we label different groups. And I've been very not beautiful in my life. There's no way I was beautiful growing up.
This was a continent of divisions, of wars, of conflicts, of divergences, differences... When I am in Asia, in Africa, people admire what we have managed to do. Europe is beautiful seen from other continents.
In the beginning, New York and I had kind of a love-hate relationship. It seemed so abrasive compared to Europe. But the transformation here in recent years is really something. I don't think I would have seen as much change if I'd lived in any other city in the world.
Once Europe's colonial empires were sent into deep decline, thanks to World War II, America became globalization's primary replicating force, integrating Asia into its low-end production networks across the second half of the twentieth century - just like Europe had integrated the U.S. before.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
I took a 51 day trip through Asia; 12 countries and 26 cities. I traveled for 51 days. So, it was everywhere from Sri Lanka and that all the way to Japan, where we ended it.
I lied to Julia, I didn't know what else to do because you - you make me feel..." I had to stop. Not because I didn't have words. I did. But I was afraid to say them. He looked at me, and I knew then I could love him. That if I let myself I would. "You make me feel too," he said, and held out one hand.
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