A Quote by Stefan Zweig

When it looks at great accomplishments, the world, bent on simplifying its images, likes best to look at the dramatic, picturesquemoments experienced by its heroes.... But the no less creative years of preparation remain in the shadow.
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
One recalls how much the creative impulse of the best-sellers depends upon self-pity. It is an emotion of great dramatic potential.
Over millions of years the viruses in our genome mutate more and more so the look less and less and less recognizable as viruses and so if there was a virus that infected our pre mammal ancestors like 250 million years ago, which it probably did, we can't see it because it just looks totally random.
I stand here today - in the shadow of my parents' and grandparents' accomplishments - because of their willingness to sacrifice and look to my future.
Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond.
The idea of full dress in preparation for a battle comes not from a belief that it will add to the fighting ability. The preparation is for death, in case that should be the result of the conflict. Every Indian wants to look his best when he goes to meet the Great Spirit, so the dressing up is done whether in imminent danger is an oncoming battle or a sickness or injury at times of peace.
The mere existence of an additional child or children in the family could signify Less. Less time alone with parents. Less attention for hurts and disappointments. Less approval for accomplishments. . . . No wonder children struggle so fiercely to be first or best. No wonder they mobilize all their energy to have more or most. Or better still, all.
There are certain creative jobs where you know you are the person on the line, and there are few guarantees that you're going to be able to crank out hits every year. For the most part, it's a roller coaster. You look at Fox, you look at NBC, you look at ABC, and they've been up and down over the years and in every different position. So if you are somebody who is not afraid of risk and you love the creative process, it's great. Why would you not do it?
I'd rather have preparation than motivation. Everyone likes to play, but no one likes to practice.
Scientists are entitled to be proud of their accomplishments, and what accomplishments can they call 'theirs' except the things they have done or thought of first? People who criticize scientists for wanting to enjoy the satisfaction of intellectual ownership are confusing possessiveness with pride of possession. Meanness, secretiveness and, sharp practice are as much despised by scientists as by other decent people in the world of ordinary everyday affairs; nor, in my experience, is generosity less common among them, or less highly esteemed.
Be a giver. Share whatsoever you can. And remember, I am not making any distinction between. small things and great things. If you can smile whole-heartedly, hold somebody's hand and smile, then it is a creative act, a great creative act. Just embrace somebody to your heart and you are creative. Just look with loving eyes at somebody; just a loving look can change the whole world of a person.
What if all the forces of society were bent upon developing [poor] children? What if society's business were making people insteadof profits? How much of their creative beauty of spirit would remain unquenched through the years? How much of this responsiveness would follow them through life?
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
Computer images, like camera images today, will be seen as representations of a simulated, second-degree reality with little or no connection to the unmediated world. This is one lesson we can learn from photographs, and especially from those of the last 25 years: images exist not to be believed, but to be interrogated.
In order to be creative, you have to know how to prepare to be creative.....A lot of habitually creative people have preparation rituals linked to the setting in which they choose to start their day. By putting themselves into that environment, they begin their creative day.
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