A Quote by Stefano Langone

A million words were going through my head and honestly I didn't say one of them. I wanted to let it sit, simmer, you know I wanted to soak it all in - the moment was amazing.
We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.
I originally read for the roles of Debra and Rita [in Dexter], because they didn't know what direction they were going in, and I worked so hard on Deb, because I just wanted to swear. I wanted to say all those nasty words. That was it: "I want to swear on television!".
Words were weapons, his father had taught him that, and he'd wanted to hurt Clary more than he'd ever wanted to hurt any girl. In fact, he wasn't sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then he wanted them to leave him alone.
I love my parents. Coming out to them was sort of coming out to myself. I educated them, and I wanted our relationship to keep growing. I wanted them to be a part of my life still. I wanted to be able to share with them what I was going through.
I put a lot of pressure on myself to figure out what to say and, lately, I've started trying to work through things in my head. Before, I wouldn't trust my instincts or what I wanted to say and I really struggled with what I wanted to say. I guess it's just the classic case of writer's block and learning how to work through that. I'm slowly learning how.
I was rapping because there were so many things that I wanted to say. There weren't enough words for me to articulate all of the things that I wanted to say in a three minute song.
She opened her mouth but did not immediately speak, and I felt, simultaneously, the impulse to coax the words from her and the impulse to suppress them. I always thought I wanted to know a secret, or I wanted an event to unfold โ€“ I wanted my life to start โ€“ but in those rare moments when it seemed like something might actually change, panic shot through me.
A lot of coaches want guys to be loose for games. I never wanted them to be loose. I wanted their hands sweating, their knees shaking, their eyes bulging. I wanted them to act like we were going to war.
My mom made me read a ton of books, so I got good at words and understood the English language. So when I started rapping, words were something I knew. I learned how to manipulate them so that I could say whatever I wanted to say.
I wanted to walk over there. I wanted to curl up beside him, lean against him, talk to him. I wanted to know what he was thinking. I wanted to tell him everything would be okay. And I wanted him to tell me the same thing. I didn't care if it was true or not- I just wanted to say it. To hear it, to feel his arms around me, hear the rumble of his words, that deep chuckle that made me pulse race
I am not a man of many words, but I can honestly say playing football is all I have ever wanted to do.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.
I wanted an idea of the future, a new femininity. I wanted you to feel that you wouldn't quite know where these women were coming from and where they were going to.
When I was first going through my separation, someone said to me, 'It will take you half as long as you were in the relationship before you'll feel better.' And I wanted to knock them out cold across the table. Because, of course, I was in agony. And the last thing I wanted to think was that I was going to stay that way for a long time.
What I never wanted in art - and why I probably didn't belong in art - was that I never wanted viewers. I think the basic condition of art is the viewer: The viewer is here, the art is there. So the viewer is in a position of desire and frustration. There were those Do Not Touch signs in a museum that are saying that the art is more expensive than the people. But I wanted users and a habitat. I don't know if I would have used those words then, but I wanted inhabitants, participants. I wanted an interaction.
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