A Quote by Steffi Graf
I don't like the word 'businesswoman.' Perhaps 'committed mother' would be the best description.
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My mother was a businesswoman; my grandmother was a businesswoman - it never occurred to me that life might be harder because you're a woman. It wasn't until later and I had a bigger sense of the world that I realised that.
Perhaps randomness is not merely an adequate description for complex causes that we cannot specify. Perhaps the world really works this way, and many events are uncaused in any conventional sense of the word. Perhaps our gut feeling that it cannot be so reflects only our hopes and prejudices, our desperate striving to make sense of a complex and confusing world, and not the ways of nature.
I'd really like to go with you, Agachak. Truly I would...but I just can't." "I don't understand. Why not?" "I'm not allowed to leave home. My mother'd punish me something awful if I did..." "But you're the king." "That doesn't change a thing. I still do what mother says. She tells everybody that I'm the best boy ever when it comes to that." Agachak resisted a powerful urge to change this half-wit into a toad or perhaps a jellyfish.
In description we hear and feel the absorption of the author in the material. We sense the presence of the creator of the scene. .. This personal absorption is what we mean by 'style.' It is strange that we would choose so oddly surfacey a word - style - for this most soulful aspect of writing. We could, perhaps more exactly, call this relation between consciousness and its subject 'integrity.' What else is the articulation of perception?
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or 'the good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
It used to be the one or the other, right? You were the 'bad girl' or the 'good girl' or the 'bad mother' or the 'good mother,' 'the horrible businesswoman who eschewed her children' or 'the earth mother who was happy to be at home baking pies,' all of that stuff that we sort of knew was a lie.
Imagine if I'd said, 'I have to be the best actress - I want that and nothing else.' I never would have directed. I never would have produced. I never would have done a beauty line. I would have just worried about getting a job or been frustrated that I wasn't getting the job that I wanted. I was ready to be a businesswoman.
On the one hand, I am a businesswoman - on the other, a wife and a mother. Like many women, I have had to distribute time and attention between business and family. It is not at all easy to find that balance.
My father worked in currency exchange, and my mother is a businesswoman.
Terrorism is a word with little content - it is a label for brutalities committed by ‘the enemy’, and from which one’s own acts of destruction are exempted. It is an inchoate and emotionally laden concept, a semantic mirror of our dishonesty and a repository for everything about war that we would like to disavow. Making a sharp distinction between war and terrorism is at best a self-deceptive game.
Lon Chaney and Boris Karloff didn't like the word 'horror'. They, like I, went for the French description: 'the theatre of the fantastique'.
I have generally never committed to things in my life but I am very committed to this relationship. Soha is one of my best friends and sometimes I treat her like a friend more than a girlfriend.
When I was growing up, I just saw my mother as a successful businesswoman and awesome mother, so I never really thought, 'I can't do it.' I saw how she worked hard, served clients really well, was a great mum to us.
Hank Williams seemed, like, so total to me, so committed to the lyric. He would actually rip the ends of the words off at the, you know - the end of the sentence. It sounded like he'd bite into the word and rip it off.
If there would be a recipe for a poem, these would be the ingredients: word sounds, rhythm, description, feeling, memory, rhyme, and imagination. They can be put together a thousand different ways, a thousand, thousand...more.
O admirable Mother of God! How many sins have I committed for which thou hast obtained pardon for me, and how many others would I have committed if thou hadst not preserved me? How often have I seen myself on the brink of Hell in obvious danger of falling into it but for thy most benign hand which saved me? How often would the Roaring Lion of Hell have devoured and swallowed up my soul had not the charity of thy heart opposed him? Alas! Without thee, my dearest and my all-good Mother, where should I be today? I should be in the fiery furnace of Hell from which I would never emerge!
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