A Quote by Stefflon Don

As soon as I heard 'Calypso,' I loved it. — © Stefflon Don
As soon as I heard 'Calypso,' I loved it.
As soon as I heard skiffle, I loved it and I knew that I wanted to play it.
I studied music at school and played the recorder. Later in life music was a great way of supplementing my income because I was paid really badly as a young chef. Luckily an old friend - we did music at school together - and I formed a duo, The Calypso Beat, which later became the Calypso Twins.
Cricket was deemed too posh where I came from, and I'd never have risked walking home through the estates in my whites. My club played some of the posh schools. I'd have the cheapest kit, but I loved those games. As soon as the posh lads opened their mouths and you heard their accents, the stakes were raised.
I loved to read when I was a kid, and as soon as I realized that an actual person got to make up the books I loved so much, I decided that that was the job for me.
I wanted to work for CBS because I loved the way CBS broadcast the Masters and I loved the way CBS presented the NFL. I loved the voices I heard.
No man is in love when he marries. He may have loved before; I have even heard he has sometimes loved after: but at the time never. There is something in the formalities of the matrimonial preparations that drive away all the little cupidons.
With this album, I tried not to think too much. If I heard a song that I loved, I promised myself I wouldn't over-think it. If I loved it and if I wanted to cut it, I would.
We ought not, as soon as we leave church, to plunge into business unsuited to church, but as soon as we get home, we should take the Scriptures into our hands, and call our wife and children to join us in putting together what we have heard in church.
Sunsets are loved because they vanish. Flowers are loved because they go. The dogs of the field and the cats of the kitchen are loved because soon they must depart. These are not the sole reasons, but at the heart of morning welcomes and afternoon laughters is the promise of farewell. In the gray muzzle of an old dog we see goodbye. In the tired face of an old friend we read long journeys beyond returns.
My role models came in my imagination, from what I'd heard on the radio or on record... Vera Lynn I loved, but I'd only ever heard her on the radio. Gospel singers, Bessie Smith, Mahalia Jackson. So it was in my head that I visualised the emotion but no way to see how people do it.
I loved hip-hop. The first stuff I heard was Public Enemy, and I couldn't believe it. It was amazing, and I've always loved hip-hop.
Years ago I went to the Wailing Wall in Jerusalem and did what all tourists there do: wrote some words on a scrap of paper that I tucked into a crevice in the wall. When I closed my eyes and touched my head to the warm stone, it came to me: "All language is prayer." This must be so. Who is it we are speaking to when we speak to anyone? To that person, and also past him or her to Out There. If there is language, it means there is the possibility of being heard, being met, being loved. And reaching out to be heard, met, or loved is a holy act. Language is holy.
I never heard anything so brilliant in my life as I did that first time I heard Ornette. He played like some revolutionary angel. Soon, we were rehearsing in his place, music scattered everywhere, and he was telling me to play outside the chord changes, which was exactly what I had been wanting to do. Now I had permission.
Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
As soon as I heard the term 'comedy nerd,' I'd hoped there was a lot of them.
Knowledge is soon changed, then lost in the mist, an echo half-heard.
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