A Quote by Stefon Diggs

As you get a lot of exposure, a lot of people looking at you, you have to take it more so how you carry yourself, how people view you. You have to worry about your image. — © Stefon Diggs
As you get a lot of exposure, a lot of people looking at you, you have to take it more so how you carry yourself, how people view you. You have to worry about your image.
A lot of people in the jazz community are looking at how much notoriety we're getting. And we're an inspiration to a lot of young people, because now there's something new they can aim for that's in their grasp. Because a lot of times when you attend a jazz college it's all about the history, none of the teachers there are forward-thinking, for the most part, so they don't teach you how to be yourself and embrace the music around you.
When you get older, you realize it's a lot less about your place in the world but your place in you. It's not how everyone views you, but how you view yourself
I worry an awful lot about people and how they're faring. When I worry about people, whether their job is squashing their spirit, pushing them into a darker pathway of not feeling good about their life, that forces me to look for what's good. What's going well. That stokes a lot of positive feelings. Although I do worry, I look for the hope.
You have to think about your image and how you want people to view you. And if it becomes too much, people will get kind of tired of you.
And I'm comfortable being who I am, so I think a lot of people who take over from a founder worry about how they compare to the founder; I worry about doing the best I can.
You're a person a lot longer before and after you're a professional athlete. People always say to me, 'Your image is this, your image is that.' Your image isn't your character. Character is what you are as a person. That's what I worry about.
It's about how you handle yourself, how you take care of your business, how you present yourself in front of the team, how you hold other people accountable. And ultimately, performing.
There's this perception that if you worry a lot and if you look really busy and stressed out then you'll be more successful. You talk about how little sleep you get and how tensed you are and how you're not getting the appreciation you deserve.
I think how you dress says a lot about how you carry yourself.
In real life, I always look at people and how they walk, or how they carry themselves. I think about the body a lot, in performance.
You'd be surprised how much you don't understand what other people see your actions as; how other people view the things you say and the things that you do. And a lot of times just clarifying what your intentions are with people makes a huge difference.
How do you get into magazines? How can you get on TV or in your local newspaper? What can you do so others will take notice of your art? When I was first trying to get noticed, all of these questions went through my mind. After a lot of trial of error and a lot of reading, I began to understand the world of public relations.
I feel like everybody's waiting for a job y'know, you can make a movie on your phone. And so there really is no reason to worry about how to get in with people- and you can do that, there's a lot to learn working for people -but you can just make a movie, where in the old days that was completely impossible.
But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.
I don't know how people get so anti-something. Just mind your own business, take care of your own affairs, and don't worry about other people so much.
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
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