A Quote by Stefon Diggs

You have to approach it the same way with any quarterback. You're going to try to do the best for your guy. — © Stefon Diggs
You have to approach it the same way with any quarterback. You're going to try to do the best for your guy.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
Any team that's drafting me, you're going to get the same person. You're going to get a competitor, a guy who's passionate about the game and, even though I'm a rookie, a guy who will try to be a leader to the best of my ability.
From the standpoint that you try to adjust your offense to your quarterback, you try to adjust your football team around your players. You do the best you can with the hand that you have, and you've got to add some parts along the way.
You need to make sure you're going exactly where your guy goes in press coverage. In zone, you can read the quarterback and his eyes a bit to determine where he's going. You don't get the opportunity in press coverage to read the quarterback, so it's all on you.
I love to work in all sorts of different situations. I think you learn a lot, which is why I try not to approach something the same way, because it might not be appropriate, and then you can get lazy just out of boredom. So I love any approach.
You don't have to go out there and fit the mold of what a quarterback is supposed to be. Make your own mold and do the best at each role. If you can run with the best and throw with the best, you can be the best quarterback in your own version of the position.
The approach and strategies are very similar in that you gather all the information you can and then keep adding to that base of information as things develop. You do whatever the probabilities indicated based on the knowledge that you have at that time, but you are always willing to modify your behaviour or your approach as you get new information. In bridge, you behave in a way that gets the best from your partner. And in business, you behave in the way that gets the best from your managers and your employees.
If you have a friend, what's the best way you can experience her beauty? It's to really accept her. She's weird in this way, I accept it. She's hard to talk to, I accept it. Then that person eventually will come all the way out into the sun. I think it's the same way with our talent. We say, "Look, I'm not going to judge you. I'm going to try to use you in the very best way."
You might measure your approach to a horse the same way as your approach to people because there are going to be some horses, like some people, who might be inclined to tune you out.
We all know that the NFL is the best of the best, and there's great competition across the board, so any time you're hurt or something like that, and another guy gets his opportunity, he's going to try to make the most of it.
I don't try to approach things any differently, songwriting-wise, regardless of what I'm doing. I try to write whatever the best thing is that I'm doing that day. If I'm working on a pop song, I'm working on a pop song to the best of my ability. If I'm working on a bluegrass song, it's the same thing. They're not really different parts of the brain.
Performing isn't only about the acrobatics and the high notes: It's staying in the moment, connecting with the audience in an authentic way, and making yourself real to them through the music. I am more than the notes I hit, and that's how I try to approach my life. You can't get it all right all the time, but you can try your best. If you've done that, all that's left is to accept your shortcomings and have the courage to try to overcome them.
It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
Obviously Eli Manning is a two-time Super Bowl MVP, so he is one of the best and a Hall of Fame quarterback. So I am just excited to be in the same quarterback room as him and we will see what happens.
At any given day you have to be ready with everything. It can be that the director says "this one's done and I need a new one." And you're like, "oh my god! I only have two months, no way!" So your design approach is completely different. You develop, let's say six things at the same time, and try to be ready everyday to give it away.
I look for a quarterback who can run and not a running back who can throw. I want a quarterback who can beat you with his arm. We are not a Tim Tebow type of quarterback team. I am not going to run my quarterback 20 times on power runs.
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